"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."
"Barriers melt like grilled cheese at the table when you're dancing for your supper like the old vaudevillians."
"One way to reach broader audiences is to embrace creative nonfiction and use storytelling as academic writing."
"As a female gamer, being able to play a game where the female characters/toons aren’t dressed as sexual objects is refreshing."
"In the newest video from The Twerking Academic, I explore how the summer of 2020 slammed me back into an awareness of my own double consciousness as a Black American."
"As a New Age Sage or “Saxion”, it’s important to understand that to move things forward I must accept a challenge - to reinvent myself."
"In "Becoming Multilingual," part 2 of my column, "¡Aguacate! Bringing Up Bebe Bilingüe," I use autoethnography as a writing approach to capture and represent the personal experiences of myself, a qualitative researcher, who has become the researched."
"I'm proud to announce that this week, on July 13, Rowman & Littlefield will traditionally publish my second book, Coping with Parental Death: Insights and Tips for Teenagers."
"Processing Parental Grief" As she started to tear up, the sweater instantly felt like her mother's arms wrapping around her. In that moment, Kathy realized she would never again be able to hide in that sweater while her mother was wearing it.
"When a favorite perfume ceases to exist, it is another kind of death. Having been created, it leaves a special sort of emptiness," from Eulogy for a Perfume.
"Ongoing horrific events painstakingly filled my mind when I submerged into Dante’s Commedia Divina. Our tragedy with nature revealed itself to me in its deepest form."