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The Routledge International Handbook of Organizational Autoethnography (Routledge International Handbooks) — ^{As an Amazon affiliate, we earn from your purchases; thank you for your support!}

The Self in Performance: Autobiographical, Self-Revelatory, and Autoethnographic Forms of Therapeutic Theatre — ^{As an Amazon affiliate, we earn from your purchases; thank you for your support!}

Painting of Dante by Domenico di Michelino

Climate Epiphany: Dante’s Hell and Our Tragedy with Nature

“Ongoing horrific events painstakingly filled my mind when I submerged into Dante’s Commedia Divina. Our tragedy with nature revealed itself to me in its deepest form.”

Photo of woman outside opera house provided by Barbara Marangon

All Autoethnographic Literary Nonfiction Autoethnographic Writing Features Volume 2, Issue 2 (2022)

Through the Eyes of a Dancer: Crossing the Desert in a Circus Train

“One profound memory I have of that year was crossing the desert in a circus train—my two-mile-long home with performers, clowns, exotic animals, and a dare-devil’s rocket ship.”

Photo of Bangladeshi woman reading by Joy Deb for Pexels b

All Autoethnographic Literary Fiction Autoethnographic Writing Features Volume 2, Issue 2 (2022)

Autoethnographic Literary Fiction: Three Bangladeshi Women – Part 2, Ami Tau Ami (I Am Who I Am)

“Ami Tau Ami (I Am Who I Am), is a story about a mother letting go of her own dreams but passing it to her daughter, as my mother did for me.”

All Autoethnographic Literary Nonfiction Autoethnographic Writing Features Volume 2, Issue 1 (2022)

¡Aguacate! Bringing Up Bebe Bilingüe: Part 1, Whiteness and Word Gaps

“The words we use and how we say them are much more than sounds, they tell a story that gives us away, revealing a history about and behind us, a place and a people that we have come from.”

Photo-of-Bangladeshi-bride-by-Kbanik79-for-Pixabay

All Autoethnographic Literary Fiction Autoethnographic Writing Features Volume 2, Issue 1 (2022)

Autoethnographic Literary Fiction: Three Bangladeshi Women – Part 1, Meena

“My stories are meant to give women from Bangladesh a chance to show their strength and resilience. It is a way for me to try to connect with the rest of the world despite the differences in language and culture.”