submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    Volumes 1-4
    Photo of boy by Bessi for Pixabay

    ¡Aguacate! Bringing Up Bebe Bilingüe: Part 1, Whiteness and Word Gaps

    Photo of man sitting in front of projected illustration of dying woman

    Multimedia Autoethnography: “Drifting,” an Exploration of Sibling Loss

    Featured photo of a synagogue by holdosi from Pixabay

    Man of Song: Faith, An Autoethnographic Elegy for My Father

    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    Special Issues
    Supreme Justice original art by Dominique Elliott c

    Autoethnography and Artwork: Revealing Oppression in “Supreme Justice”

    The Impact of Patricia Leavy’s Social (Sociological) Fiction

    By Roman Trifonov for Unsplash

    How to Survive a Cult in Nebraska

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    Why I Write: An Essay on Language, Writing and Identity

    Photo of perfume bottle by Saman Taheri for Unsplash.jpg

    Fragrance Cultures: The Making of a Perfume Critic, Part 1

    carol-oliver-unsplash.

    The Year of Sluttery: Quick Notes to My Many Lovers

    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    Media

    Audio, visual, and multimodal expressions of autoethnography.

    Photo of three women by Shanita Mitchell for the Autoethnographer

    The Twerking Academic: “Four Women,” a Multimedia Autoethnography

    Image of hot air balloon by Pexels for Pixabay

    Technicolor Third Space: Why Did We Develop the AutoEthnographer?

    Photo of woman dancing by The Atlanta Dance Photographer3

    Autoethnographic Poetry: Embodying Bipolarism in Mania Variations II

    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    More
    Photo-of-Turkish-women-by-Dilek-Hayirli

    Emotional Research: Performing Autoethnography at My Late Father’s Village

    Photo of woman at window by Shanita Mitchell

    Performance and Autoethnography: Award-winning Artist Offers Exclusive Insight

    Horse, Therapy: Trauma and Healing in Animals and Humans

    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method
  • May 9, 2025
  • Trending
    Trending
    NowWeekMonth

    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

    Photo of Papau New Guinea Man in headress by Jordan Donaldson for Unsplash

    What Is The AutoEthnographer Magazine?

    Photo of Coogee Beach by manny moreno for unsplash.jpg

    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

    I am the Roe Generation. Our struggle is now.

Acadia Currah
JoinedJuly 31, 2022
Articles1
Acadia Currah (She/They) is an essayist and poet residing in Vancouver, British Columbia. Their work explores her relationship with gender, sexuality, and religion. She is a leather-jacket-latte-toting lesbian, her work seeks to reach those who most need to hear it. Their work has appeared in The Spotlong Review, Defunkt Magazine, and The Fiddlehead.
Photo collage of woman with bound hands in starscape by Image by Karen Nadine for Pixabay

From the Bodily Autonomy Special Issue: This Machine Kills Babies

Acadia Currah·
All ContentAutoethnographic EssaysBodily Autonomy Special Issue, 2022-23Special Issues
·October 8, 2022·13 min read
"This essay on bodily autonomy specifically discusses abortion access and rights in the United States and Canada, and the politics that often follow."
Read More
  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Linkedin
  • Search
  • What Is The AutoEthnographer Magazine?
  • Meet Our Team of International Editors & Interns
  • Podcasts
  • Autoethnographic Writing
  • Autoethnographic Poetry
  • Autoethnographic Art & Multimedia
  • From the Editors
  • Interviews
  • News, Interviews & Reviews
  • Reflections on Method
  • Education
  • Opt-out preferences
© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method

Categories

  • All Content
  • Autoethnographic Art & Multimedia
  • Autoethnographic Poetry
  • Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
  • Education
  • From the Editors
  • Issues
    • Bodily Autonomy Special Issue, 2022-23
    • Celebrating Dr. Patricia Leavy's Social Fiction 2024
    • Climate Change Special Issue, 2022
    • Laughter Special Issue, 2023
    • Queer Special Issue, 2023-24
    • Volume 1, Issue 1 (2021)
    • Volume 1, Issue 2 (2021)
    • Volume 2, Issue 1 (2022)
    • Volume 2, Issue 2 (2022)
    • Volume 2, Issue 3 (2022)
    • Volume 2, Issue 4 (2022)
    • Volume 3, Issue 1 (2023)
    • Volume 3, Issue 2 (2023)
    • Volume 3, Issue 3 (2023)
    • Volume 3, Issue 4 (2023)
    • Volume 4, Issue 1 (2024)
    • Volume 4, Issue 2 (2024)
    • Volume 4, Issue 3 (2024)
    • Volume 4, Issue 4 (2024)
  • More
  • News, Interviews & Reviews
    • Interviews
  • Podcasts
  • Reflections on Method
  • Special Issues
  • Uncategorized
  • Work with Us!
Start typing to see results or hit ESC to close
autoethnographer autoethnography identity poetry family
See all results

SUBSCRIBE!

Go to Appearance > Customize > Subscribe Pop-up to set this up.