“What is it like to live and work in a regional comprehensive university during a time of major organizational change and intense conflict?”
This essay describes my experiences of the arts during the Covid-19 when arts and culture organizations had to pivot to virtual offerings.
Commercial genetics has become a cultural phenomenon. In this piece, I use autobiography to document discovering my biological father.
The cultural issues being addressed are how intergenerational knowledge is passed down between women and girls in the kitchen.
Eternal Glow: Black Womanhood’s Story Of Love and Resilience Author’s Memo These three poems are autoethnographic as they utilize personal...
Book Review: Revealing the Mantra of Trauma Author’s Memo This review of The Trauma Mantras seeks to convey the profound...
An empowered inner authenticity that supersedes the pressures faced by twenty-first century generations - striving for an unattainable false perfect ‘self’.
My Body Is a Suitcase: An Autoethnographic Exploration of Links between Childhood Sexual Abuse and Eating Disorders Author’s memo In...
Hard Water: An Autoethnography of American Rust is concerned with the spatial formations of capitalism and the psychology of class hegemony.
“blackwomanatwork” came out of my experiences working in academia as a first-generation immigrant black woman from the Caribbean.
It is a reckoning on sisters and queers after themes of family violence, sibling disconnection and queer isolation emerge.
In this four-part series, I’ll take you back through my journey from the beginning. To explore how the conditioning of the Western environment I was born into served in disconnecting me from my own inner authenticity.
