I introduce artistic autoethnography and how the term a/r/tifact opens up the imagination to the possibilities of autoethnographic artmaking.
Students at any age or level can be nominated for our student scholarships which come with an opportunity to join our editorial board!
This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
What Is The AutoEthnographer Magazine? The AutoEthnographer’s Mission The AutoEthnographer is an award-winning, non-profit, open-access, peer-reviewed literary and arts magazine....
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
Dilek Isler Hayirli·
All ContentAutoethnographic MultimediaEducationFrom the EditorsReflections on MethodVolume 2, Issue 3 (2022)
··13 min read"I had not been aware that this emotional research was also performing autoethnography, collecting memories from the field"
"In our latest chat, Patricia Leavy discusses the evolution of the self-coined social fiction genre and offers a sneak peek at her latest publication, Film Blue."
"One way to reach broader audiences is to embrace creative nonfiction and use storytelling as academic writing."
"Autoethnography and culture: Embodied inquiry is not a formula, or methodology, but a way of being, being open to the body as a source of knowledge, wonder, difficulty, fragility and utter joy."
"In Turkey, we must consider opening folklore & the social sciences, but this time more powerfully, staggeringly, and creatively."
"In my interview with award-winning author Patricia Leavy on literary research, we also discuss her evolution from academic to novelist, her genre of "social fiction," and her latest novels series, Celestial Bodies."
Marlen Harrison·
All ContentAutoethnographic MultimediaEducationFrom the EditorsReflections on MethodVolume 2, Issue 1 (2022)
··1 min read"In this brief, animated autoethnography, I utilize the concept of a sociocultural third space to consider why evocative autoethnography can benefit from its own literary and arts journal."
