How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
"My poems for this special issue seek to document a history of my choice, not just personally but humanly, to use autoethnography to weave through the personal and the political."
"This autoethnographic poetry is born of my personal experience, witness, as well as currently chronicled and ancestral lore."
"We began this autoethnographic essay thinking about the love the teachers have for their students."
"Award-winning artist, Suzanne Hughes, talks about autoethnography and painting. Suzanne is responsible for the cover art for our special issue based on climate change."
"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."
"Barriers melt like grilled cheese at the table when you're dancing for your supper like the old vaudevillians."
"I write at length about my experiences surviving rape and abuse as a Western woman in Japan. I was lucky to get out alive."
"This autoethnographic essay explores in a (hopefully) creative way ideas about social class in relation to my own negotiations of identity and upbringing in eastern Sydney, Australia."
"This essay on bodily autonomy specifically discusses abortion access and rights in the United States and Canada, and the politics that often follow."
"My oil on canvas series, "Journey of Self Love," depicts a variation of obstacles I've personally had to endure throughout my life as a woman."
"In the newest video from The Twerking Academic, I explore how the summer of 2020 slammed me back into an awareness of my own double consciousness as a Black American."
