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    The Epidemic No One Talked About: A Love Letter

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    Horror, Hate, and Hysteria: How to Survive the Exigencies of War

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    An Autoethnographic Video Response to COVID-19: “Waiting for Elijah”

    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
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      • Volume 2, Issue 4 (2022)
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  • Special Issues
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    Patricia Leavy Is the Social Fiction Doyenne

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    Autoethnographic Literary Fiction: “Cold Snap,” a Climate Catastrophe Story

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    Bodily Autonomy Special Issue: Poems for an Intimate Secret

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
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    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

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    Autoethnographic Literary Nonfiction: “Emily,” An Artist-Teacher in Adult Community Learning

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    ¡Aguacate! Bringing Up Bebe Bilingüe: Part 1, Whiteness and Word Gaps

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    Man of Song: Faith, An Autoethnographic Elegy for My Father

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    Emotional Research: Performing Autoethnography at My Late Father’s Village

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    SEE ME, Windows to the Self of the Performer-Autoethnographer

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    The Pandemic Nature Project, Filmed Vignettes of Life During COVID

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    What Do Editors Look for When Reviewing Creative Autoethnography?

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    Expressions of Care: How to Provide Grief Support

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    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

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    Recipes of Life: How Kitchens Preserve Intergenerational Narratives

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    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

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    Ten Powerful Poems by Albanian Poets and Their Translations

Volume 2, Issue 1 (2022)

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Stray Words, Turbulent Art: Translation, or How to Love English

Ulla-Maija Matikainen·
All ContentAutoethnographic EssaysAutoethnographic WritingVolume 2, Issue 1 (2022)
·November 6, 2022·4 min read
"One can’t write poetry without love. It is the strongest and the most vital root in poetry."
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Strong Black Woman by Shanita Mitchell for The Autoethnographer c

New Issue! The AutoEthnographer Volume 2, Issue 1, Winter 2022

Marlen Harrison·
All ContentIssuesVolume 2, Issue 1 (2022)
·March 22, 2022·1 min read
In this new issue from The AutoEthnographer, we highlight work from authors and artists in the USA, Finland, Bangladesh/Canada, Chile/USA, and India.
Read More
Photo of boy by Bessi for Pixabay

¡Aguacate! Bringing Up Bebe Bilingüe: Part 1, Whiteness and Word Gaps

Stephanie Abraham·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 2, Issue 1 (2022)
·March 17, 2022·14 min read
"The words we use and how we say them are much more than sounds, they tell a story that gives us away, revealing a history about and behind us, a place and a people that we have come from."
Read More
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The Challenges of Being a Woman in Bangladesh: Meena’s Story

Aliya Khan·
All ContentAutoethnographic Literary FictionAutoethnographic WritingVolume 2, Issue 1 (2022)
·February 16, 2022·22 min read
"My stories are meant to give women from Bangladesh a chance to show their strength and resilience. It is a way for me to try to connect with the rest of the world despite the differences in language and culture."
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Strong Black Woman by Shanita Mitchell for The Autoethnographer

The Twerking Academic: “Strong Black Woman”, a Multimedia Autoethnography

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 2, Issue 1 (2022)
·February 10, 2022·3 min read
"At what age does a Black woman learn that it is her job to be strong?"
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Autoethnographic Literary Nonfiction: A Pragmatic Ruin and the Objectionable Southern Woman

Katharyn Privett-Duren·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 2, Issue 1 (2022)
·February 2, 2022·8 min read
"A tree once taught me that those moments of ruin are only a pause, a passage really, on the way to something else."
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Indian flag by Aniyora J for Unsplash

Autoethnographic Literary Nonfiction: Grieving from Miles

Saurabh Anand·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 2, Issue 1 (2022)
·January 25, 2022·9 min read
I couldn't go to India for the past two years due to COVID-19 uncertainties and be with the rest of my family to help them navigate through this earth-shattering loss when they needed me the most, a sad reality of many international students.”
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Photo of bumper cars by Markus Distelrath from Pixabay

Autoethnographic Poetry: “The Wrong Kind of Theme Park”

Teahl Light·
All ContentAutoethnographic PoetryVolume 2, Issue 1 (2022)
·January 20, 2022·11 min read
“My ability to be creatively vulnerable with my mental illness as well as the experiences which contributed to it will serve as a method of self-healing.”
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I Was a Bell poems by Soledad Caballero cover art by Caitlin Sacks

Interview with poet M. Soledad Caballero, Winner of the IAANI 2022 Outstanding Book Award

M. Soledad Caballero and Marlen Harrison·
All ContentInterviewsMoreReflections on MethodVolume 2, Issue 1 (2022)
·January 13, 2022·16 min read
"I’ve already resisted that scholarship is not creative and poetry is not part of my scholarly self. I think the idea of autoethnography allows for that cultural divide between the creative and academic to be really disrupted."
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Technicolor Third Space: Why Did We Develop the AutoEthnographer?

Marlen Harrison·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 1 (2022)
·December 31, 2021·5 min read
"In this brief, animated autoethnography, I utilize the concept of a sociocultural third space to consider why evocative autoethnography can benefit from its own literary and arts journal."
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Photo of woman in crowd by Grae Dickason for Pixabay

Autoethnographic Literary Fiction & Poetry: A Woman in a Public Space

Ulla-Maija Matikainen·
All ContentAutoethnographic Literary FictionAutoethnographic PoetryAutoethnographic WritingVolume 2, Issue 1 (2022)
·December 23, 2021·12 min read
"A woman alone doesn’t belong to any male power or protection sphere. She can be kidnapped into fears and dreams."
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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
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    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
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      • Volume 3, Issue 1 (2023)
    • Volume 2
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  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
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