Volume 2, Issue 1 (2022)

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Stray Words, Turbulent Art: Translation, or How to Love English

Ulla-Maija Matikainen·

All Autoethnographic Essays Autoethnographic Writing Volume 2, Issue 1 (2022)

·November 6, 2022·4 min read

"One can’t write poetry without love. It is the strongest and the most vital root in poetry."

Climate change in Alaska No 1 by Suzanne Hughes

2022 Special Issue: “Climate Change”

Marlen Harrison·

Issues News, Interviews & Reviews Special Issue 2022: Climate Change Volume 2, Issue 1 (2022)

·October 21, 2022·1 min read

"Throughout 2022, The AutoEthnographer invites rolling submissions in any of our categories (writing, poetry, multimedia, video, performance, etc.) around the theme of "Climate Change"."

Strong Black Woman by Shanita Mitchell for The Autoethnographer c

New Issue! The AutoEthnographer Volume 2, Issue 1, Winter 2022

Marlen Harrison·

All Issues Volume 2, Issue 1 (2022)

·March 22, 2022·1 min read

In this new issue from The AutoEthnographer, we highlight work from authors and artists in the USA, Finland, Bangladesh/Canada, Chile/USA, and India.

¡Aguacate! Bringing Up Bebe Bilingüe: Part 1, Whiteness and Word Gaps

Stephanie Abraham·

All Autoethnographic Literary Nonfiction Autoethnographic Writing Features Volume 2, Issue 1 (2022)

·March 17, 2022·14 min read

"The words we use and how we say them are much more than sounds, they tell a story that gives us away, revealing a history about and behind us, a place and a people that we have come from."

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The Challenges of Being a Woman in Bangladesh: Meena’s Story

Aliya Khan·

All Autoethnographic Literary Fiction Autoethnographic Writing Features Volume 2, Issue 1 (2022)

·February 16, 2022·22 min read

"My stories are meant to give women from Bangladesh a chance to show their strength and resilience. It is a way for me to try to connect with the rest of the world despite the differences in language and culture."

The Twerking Academic: “Strong Black Woman”, a Multimedia Autoethnography

Shanita Mitchell·

All Autoethnographic Multimedia Volume 2, Issue 1 (2022)

·February 10, 2022·2 min read

"At what age does a Black woman learn that it is her job to be strong?"

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Autoethnographic Literary Nonfiction: A Pragmatic Ruin and the Objectionable Southern Woman

Katharyn Privett-Duren·

All Autoethnographic Literary Nonfiction Autoethnographic Writing Volume 2, Issue 1 (2022)

·February 2, 2022·8 min read

"A tree once taught me that those moments of ruin are only a pause, a passage really, on the way to something else."

Autoethnographic Literary Nonfiction: Grieving from Miles

Saurabh Anand·

All Autoethnographic Literary Nonfiction Autoethnographic Writing Volume 2, Issue 1 (2022)

·January 25, 2022·9 min read

I couldn't go to India for the past two years due to COVID-19 uncertainties and be with the rest of my family to help them navigate through this earth-shattering loss when they needed me the most, a sad reality of many international students.”

Photo of bumper cars by Markus Distelrath from Pixabay

Autoethnographic Poetry: “The Wrong Kind of Theme Park”

Teena Adams·

All Autoethnographic Poetry Volume 2, Issue 1 (2022)

·January 20, 2022·11 min read

“My ability to be creatively vulnerable with my mental illness as well as the experiences which contributed to it will serve as a method of self-healing.”

I Was a Bell poems by Soledad Caballero cover art by Caitlin Sacks

Interview with poet M. Soledad Caballero, Winner of the IAANI 2022 Outstanding Book Award

M. Soledad Caballero and Marlen Harrison·

All Interviews Reflections on Method Volume 2, Issue 1 (2022)

·January 13, 2022·16 min read

"I’ve already resisted that scholarship is not creative and poetry is not part of my scholarly self. I think the idea of autoethnography allows for that cultural divide between the creative and academic to be really disrupted."

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Technicolor Third Space: Why Did We Develop the AutoEthnographer?

Marlen Harrison·

Æ: Musings from the Editors All Autoethnographic Multimedia Education Reflections on Method Volume 2, Issue 1 (2022)

·December 31, 2021·1 min read

"In this brief, animated autoethnography, I utilize the concept of a sociocultural third space to consider why evocative autoethnography can benefit from its own literary and arts journal."

Photo of woman in crowd by Grae Dickason for Pixabay

Autoethnographic Literary Fiction & Poetry: A Woman in a Public Space

Ulla-Maija Matikainen·

All Autoethnographic Literary Fiction Autoethnographic Poetry Autoethnographic Writing Volume 2, Issue 1 (2022)

·December 23, 2021·12 min read

"A woman alone doesn’t belong to any male power or protection sphere. She can be kidnapped into fears and dreams."

New Podcast: How Can Collage Be Utilized in Autoethnography?

New Podcast: In What Ways Do Autoethnography & Painting Go Together?

New Podcast: Finding Joy in Artistic Performance as Black Feminist Autoethnography

The AutoEthnographer Is Excited to Offer Student Scholarships!

“Queer”: Call for Submissions, 2023-24 Special Issue

Autoethnographic Literary Nonfiction: The Closet in the Classroom

What Is Autoethnography? How Can I Learn More?

Autoethnographic Poetry: “Tired”

Volume 2, Issue 1 (2022)

Stray Words, Turbulent Art: Translation, or How to Love English

2022 Special Issue: “Climate Change”

New Issue! The AutoEthnographer Volume 2, Issue 1, Winter 2022

¡Aguacate! Bringing Up Bebe Bilingüe: Part 1, Whiteness and Word Gaps

The Challenges of Being a Woman in Bangladesh: Meena’s Story

The Twerking Academic: “Strong Black Woman”, a Multimedia Autoethnography

Autoethnographic Literary Nonfiction: A Pragmatic Ruin and the Objectionable Southern Woman

Autoethnographic Literary Nonfiction: Grieving from Miles

Autoethnographic Poetry: “The Wrong Kind of Theme Park”

Interview with poet M. Soledad Caballero, Winner of the IAANI 2022 Outstanding Book Award

Technicolor Third Space: Why Did We Develop the AutoEthnographer?

Autoethnographic Literary Fiction & Poetry: A Woman in a Public Space

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