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    Artistic Autoethnography: How Can We Open the Door to Boundless Artmaking?

Antony Kaminju
JoinedAugust 3, 2021
Articles1
Antony Kaminju is a renowned Photographer, Media Producer & Academic, originally from Kenya and currently living in South Africa. He is a facilitator of documentary photography studies at the Market Photo Workshop (www.photomarketworkshop.co.za) in South Africa, a leading Photography Institute in the African continent. He has also lectured at University of Witwatersrand and as a visiting lecturer at University of Johannesburg. He is former Photographic editor of the Nation Media group Kenya, East and Central Africa’s largest media house. His work has been published by international agencies, Reuters, Aljazeera, BBC among others. He has also exhibited widely including twice at the Bamako Biennale, Mali and his work is part of art collection by the Agence Francaise de Development (AFD) in France and the Wedge Gallery in Toronto, Canada. He is the founding editor of Photohadithi (www.photohadithi.org), a collaborative visual platform whose integral mission is to nurture and explore on different forms of visual story telling. Antony also has experience as a digital content writer & creator for international brands such as AB- InBev and M-NET. He holds a BA (Hons) in Journalism and Media studies –University of Witwatersrand and Diplomas in Photography, Communication & Documentary studies from International Institute of Journalism- Berlin, the Market Photo workshop, South Africa & The technical university of Kenya. He is currently an MA candidate by research in Film & Television studies at University of Witwatersrand, South Africa.
Photo of man in ocean with mask by Alex Iby for Unsplash

Reviewing Evocative Autoethnography: What Do Editors Look for?

Odessa Ogo, Antony Kaminju, Shanita Mitchell, Jacob Meadows, Jessica Smartt Gullion, Nadine Khair, William Doan and Marlen Harrison·
All ContentEducationFrom the EditorsMoreVolume 1, Issue 2 (2021)
·October 8, 2021·6 min read
"When I review evocative autoethnography I look for that layer in the contribution that will entertain and connect to a cultural issue."
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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
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