How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
"This autoethnographic poetry is born of my personal experience, witness, as well as currently chronicled and ancestral lore."
I pay homage to Nina Simone’s already iconic and thorough exploration of stereotypes by setting the project to the song “Four Women.”
"At what age does a Black woman learn that it is her job to be strong?"
"Then comes that special brand of rage and dejection that the patriarchy inspires by attempting to steal away with my bodily autonomy."
“A Seat at the Table” is the autoethnographic manifestation of my vulnerability, anger, and anguish, of my black feminist grit."
