How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
"This autoethnographic poetry is born of my personal experience, witness, as well as currently chronicled and ancestral lore."
"My oil on canvas series, "Journey of Self Love," depicts a variation of obstacles I've personally had to endure throughout my life as a woman."
"In the newest video from The Twerking Academic, I explore how the summer of 2020 slammed me back into an awareness of my own double consciousness as a Black American."
I pay homage to Nina Simone’s already iconic and thorough exploration of stereotypes by setting the project to the song “Four Women.”
"At what age does a Black woman learn that it is her job to be strong?"
"Congratulations to Shanita Mitchell, Editorial Board member of The AutoEthnographer and multimedia artist, for her recognition by the International Association of Autoethnography and Narrative Inquiry (IAANI)."
"Then comes that special brand of rage and dejection that the patriarchy inspires by attempting to steal away with my bodily autonomy."
“A Seat at the Table” is the autoethnographic manifestation of my vulnerability, anger, and anguish, of my black feminist grit."
