submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    Volumes 1-4
    Indian flag by Aniyora J for Unsplash

    Autoethnographic Literary Nonfiction: Grieving from Miles

    by Mohamed Nohassi for Unsplash

    An Autoethnography on Autoimmunity: The Truth About Life with Chronic Illness

    Entanglements of the Mind, Soul, and Body: A Collage

    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    Special Issues

    Climate Epiphany: Dante’s Hell and Our Tragedy with Nature

    By Simon Hurry for Unsplash

    ‘Surprise! Surprise!’ A Potty Training Mystery and a Misadventure

    Photo of pregnant woman with belly painted by AnoukvanMarsbergen for Pixabay

    Autoethnographic Poetry on Bodily Autonomy: Watch the Womb

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    Black History Month

    “I Hate Black History Month,” Pinkie Points It Out

    Why I Write: An Essay on Language, Writing and Identity

    by Christian Ladewig for Unsplash

    On Emerging Liberated of the Glass Box

    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    Media

    Audio, visual, and multimodal expressions of autoethnography.

    Supreme Justice original art by Dominique Elliott c

    Autoethnography and Artwork: Revealing Oppression in “Supreme Justice”

    Collage Image by Lee Campbell

    SEE ME, Windows to the Self of the Performer-Autoethnographer

    Photo of a face within a face by Shanita Mitchell for The AutoEthnographer

    Black Feminist Grit: “A Seat at the Table” with The Twerking Academic

    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    More
    Photo of Starbucks cup by Engin_Akyurt for Pixabay

    New Podcast: Is Autoethnography Essential to a Successful Business? Podcast with Nadine Khair

    Image of James Dean by Arthur Holucha for Pixabay

    Hollyland: Writing Fiction to Celebrate the Arts

    Photo by Peter H for Pixabay

    The Call of Otherness: Fear & Awe

    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method
  • May 9, 2025
  • Trending
    Trending
    NowWeekMonth

    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

    Photo of Papau New Guinea Man in headress by Jordan Donaldson for Unsplash

    What Is The AutoEthnographer Magazine?

    Photo of Coogee Beach by manny moreno for unsplash.jpg

    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

    I am the Roe Generation. Our struggle is now.

Amanda Sieradzki
JoinedAugust 26, 2021
Articles1
Amanda Sieradzki (MFA) is adjunct dance faculty at the University of Tampa. She is the founder and artistic director of Poetica, a creative dance company that moves at the intersection of contemporary dance, poetry, and community. Amanda attended Anne Green Gilbert’s Summer Dance Institute for Teachers in Seattle where she was certified in Brain Compatible Dance Education. Her classes weave a patchwork of modern influences from her training at the Ailey School in NYC, and uses storytelling and improvisation to challenge mind-body connections in technique and choreography. Poetica has premiered choreographies in alternative spaces across the southeast. Most recently, Amanda co-produced Dance in the Time of Coronavirus, a socially-distant summer dance series. She has also created work for the Tampa Museum of Art, the Scarfone-Hartley Gallery, Moving Current’s NewGrounds Festival, Tallahassee’s 621 Gallery, FEMMEfest Atlanta, the Decatur Arts Festival, and the Atlanta Fringe Festival. Additionally, Amanda is a feature writer for Creative Pinellas’ Arts Coast Journal, the Tallahassee Council on Culture & Arts, DIYdancer Magazine, & ArtsATL. She holds an MFA in choreography and performance from Florida State University and a BA in writing with an applied dance minor from the University of Tampa. Amanda believes in dance as a medium that can transcend language, connect cultures, and create environments for exploration, collaboration, and engagement.
Photo of woman dancing by The Atlanta Dance Photographer3

Autoethnographic Poetry: Embodying Bipolarism in Mania Variations II

Amanda Sieradzki·
All ContentAutoethnographic Art & MultimediaAutoethnographic PoetryVolume 1, Issue 2 (2021)
·October 17, 2021·9 min read
"I called out the demons one by one. I named them. I gave them precise blocking and ultimately, I controlled where they stood, breathed, and bourréed. I gave them an entrance, and a stage, and then I sent them away."
Read More
  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Linkedin
  • Search
  • What Is The AutoEthnographer Magazine?
  • Meet Our Team of International Editors & Interns
  • Podcasts
  • Autoethnographic Writing
  • Autoethnographic Poetry
  • Autoethnographic Art & Multimedia
  • From the Editors
  • Interviews
  • News, Interviews & Reviews
  • Reflections on Method
  • Education
  • Opt-out preferences
© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method

Categories

  • All Content
  • Autoethnographic Art & Multimedia
  • Autoethnographic Poetry
  • Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
  • Education
  • From the Editors
  • Issues
    • Bodily Autonomy Special Issue, 2022-23
    • Celebrating Dr. Patricia Leavy's Social Fiction 2024
    • Climate Change Special Issue, 2022
    • Laughter Special Issue, 2023
    • Queer Special Issue, 2023-24
    • Volume 1, Issue 1 (2021)
    • Volume 1, Issue 2 (2021)
    • Volume 2, Issue 1 (2022)
    • Volume 2, Issue 2 (2022)
    • Volume 2, Issue 3 (2022)
    • Volume 2, Issue 4 (2022)
    • Volume 3, Issue 1 (2023)
    • Volume 3, Issue 2 (2023)
    • Volume 3, Issue 3 (2023)
    • Volume 3, Issue 4 (2023)
    • Volume 4, Issue 1 (2024)
    • Volume 4, Issue 2 (2024)
    • Volume 4, Issue 3 (2024)
    • Volume 4, Issue 4 (2024)
  • More
  • News, Interviews & Reviews
    • Interviews
  • Podcasts
  • Reflections on Method
  • Special Issues
  • Uncategorized
  • Work with Us!
Start typing to see results or hit ESC to close
autoethnographer autoethnography identity poetry family
See all results

SUBSCRIBE!

Go to Appearance > Customize > Subscribe Pop-up to set this up.