submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    Volumes 1-4
    Photo of woman dancing by The Atlanta Dance Photographer3

    Autoethnographic Poetry: Embodying Bipolarism in Mania Variations II

    Lagos Nigeria by Idowu Emmanuel from Unsplash

    A Poet Investigates Privilege During Life in Nigeria

    Panadero’s Death: His Sweet Bread, Never Absent Bolillo and Our Beautiful Pan Dulce

    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    Special Issues
    Prosepina abducted by evil by Mateus Campos Felipe for Unsplash

    Cruella de Vil, from ”101 Dalmatians,” in Real Life

    Between Low-Fat Love and A Big Life

    Illustration of Canadian goose by Terry Graff

    Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    By Patrick Tomasso for Unsplash

    Unexpected Activism in Students: What Is Human, Remains

    Editorial: On Social Fiction, Stories, and the 2024 Special Issue of The AutoEthnographer

    A Full-Fat Remix of Low-Fat Love Stories

    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    Media

    Audio, visual, and multimodal expressions of autoethnography.

    Photo of man sitting in front of projected illustration of dying woman

    Multimedia Autoethnography: “Drifting,” an Exploration of Sibling Loss

    How to Fragment and Unite: An Autoethnography of Collage and Poems

    Photo-of-laptop-with-keywords-by-Tumisu-for-Pixabay

    New Podcast & Video: How do Google & Autoethnography Go Together?

    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    More
    Cover art from Patricia Leavy's Re_Invention created by Paul Gordon

    What Is Social Fiction? Talking Re/Invention with Patricia Leavy

    I Was a Bell poems by Soledad Caballero cover art by Caitlin Sacks

    Interview with poet M. Soledad Caballero, Winner of the IAANI 2022 Outstanding Book Award

    By pauline-bernfeld- for unsplash

    Book Review: My Life with Things: The Consumer Diaries

    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method
  • May 9, 2025
  • Trending
    Trending
    NowWeekMonth

    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

    Photo of Papau New Guinea Man in headress by Jordan Donaldson for Unsplash

    What Is The AutoEthnographer Magazine?

    Photo of Coogee Beach by manny moreno for unsplash.jpg

    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

    I am the Roe Generation. Our struggle is now.

Ulla-Maija Matikainen
JoinedDecember 21, 2021
Articles7
Ulla-Maija Matikainen is a Finnish poet and writer who has lived in Europe, Asia, and Africa. After earning an MA in Cultural History and MSc in Political Science, she worked in Finnish embassies and taught/conducted research in Finnish academia. Recently, she has been concentrating on writing poetry. Her philosophical interests are existentialism and phenomenology, particularly Merleau-Ponty, as well as the philosophy of language. Ulla-Maija thinks that artistic expression holds one of the most important positions in the learning process; as a poet, she hopes to convey and share her own search with others through her poetry. Besides poetry, her most beloved way of self-expression has long been dancing but she also enjoys listening to music. Ulla-Maija speaks English and French fluently, dreams in Italian, manages her Swedish and German, and to her own astonishment, hasn’t forgotten everything she has learned of Russian. Ulla-Maija believes that speaking another language and encountering different cultures as well as our own historical background enriches us.

The Call of Otherness: Love and Poetry

Ulla-Maija Matikainen·
All ContentFrom the EditorsMoreVolume 3, Issue 4 (2023)
·November 5, 2023·4 min read
The otherness is not somewhere out there. It’s in me. Still, my search did not stop to this discovery. It took me profoundly even further. It took me to love and poetry.
Read More
Trust-Tru-Katsande for Unsplash

How to Find Your Own Voice: Journeying in the World of Poetry

Ulla-Maija Matikainen·
All ContentAutoethnographic EssaysAutoethnographic PoetryEducationFrom the EditorsMoreVolume 3, Issue 2 (2023)
·April 6, 2023·4 min read
A tsunami of words, images, learned and pushed feelings and thoughts go through us every day. Poetry is a way to find our own voice.
Read More
Photo by Peter H for Pixabay

The Call of Otherness: Fear & Awe

Ulla-Maija Matikainen·
All ContentAutoethnographic EssaysFrom the EditorsMoreVolume 3, Issue 1 (2023)
·January 26, 2023·5 min read
Our editor Ulla-Maija Matikainen is questioning the call of otherness and narrates her discovery about the sameness that she has seen.
Read More

What Is Autoethnography? How Can I Learn More?

Marlen Harrison, Sandra L. Faulkner, Jessica Smartt Gullion, Nadine Khair, Lina Fe Simoy, Dilek Isler Hayirli and Ulla-Maija Matikainen·
All ContentEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 4 (2022)
·December 12, 2022·14 min read
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
Read More
Photo-of-daisy-key-and-dictionary-by-user-165106-for-Pixabay

Stray Words, Turbulent Art: Translation, or How to Love English

Ulla-Maija Matikainen·
All ContentAutoethnographic EssaysAutoethnographic WritingVolume 2, Issue 1 (2022)
·November 6, 2022·4 min read
"One can’t write poetry without love. It is the strongest and the most vital root in poetry."
Read More

Climate Epiphany: Dante’s Hell and Our Tragedy with Nature

Ulla-Maija Matikainen·
All ContentAutoethnographic EssaysClimate Change Special Issue, 2022Special Issues
·May 22, 2022·4 min read
"Ongoing horrific events painstakingly filled my mind when I submerged into Dante’s Commedia Divina. Our tragedy with nature revealed itself to me in its deepest form."
Read More
Photo of woman in crowd by Grae Dickason for Pixabay

Autoethnographic Literary Fiction & Poetry: A Woman in a Public Space

Ulla-Maija Matikainen·
All ContentAutoethnographic Literary FictionAutoethnographic PoetryAutoethnographic WritingVolume 2, Issue 1 (2022)
·December 23, 2021·12 min read
"A woman alone doesn’t belong to any male power or protection sphere. She can be kidnapped into fears and dreams."
Read More
  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Linkedin
  • Search
  • What Is The AutoEthnographer Magazine?
  • Meet Our Team of International Editors & Interns
  • Podcasts
  • Autoethnographic Writing
  • Autoethnographic Poetry
  • Autoethnographic Art & Multimedia
  • From the Editors
  • Interviews
  • News, Interviews & Reviews
  • Reflections on Method
  • Education
  • Opt-out preferences
© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method

Categories

  • All Content
  • Autoethnographic Art & Multimedia
  • Autoethnographic Poetry
  • Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
  • Education
  • From the Editors
  • Issues
    • Bodily Autonomy Special Issue, 2022-23
    • Celebrating Dr. Patricia Leavy's Social Fiction 2024
    • Climate Change Special Issue, 2022
    • Laughter Special Issue, 2023
    • Queer Special Issue, 2023-24
    • Volume 1, Issue 1 (2021)
    • Volume 1, Issue 2 (2021)
    • Volume 2, Issue 1 (2022)
    • Volume 2, Issue 2 (2022)
    • Volume 2, Issue 3 (2022)
    • Volume 2, Issue 4 (2022)
    • Volume 3, Issue 1 (2023)
    • Volume 3, Issue 2 (2023)
    • Volume 3, Issue 3 (2023)
    • Volume 3, Issue 4 (2023)
    • Volume 4, Issue 1 (2024)
    • Volume 4, Issue 2 (2024)
    • Volume 4, Issue 3 (2024)
    • Volume 4, Issue 4 (2024)
  • More
  • News, Interviews & Reviews
    • Interviews
  • Podcasts
  • Reflections on Method
  • Special Issues
  • Uncategorized
  • Work with Us!
Start typing to see results or hit ESC to close
autoethnographer autoethnography identity poetry family
See all results

SUBSCRIBE!

Go to Appearance > Customize > Subscribe Pop-up to set this up.