submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    Volumes 1-4
    By albany capture for Unsplash

    A Startling Note: “Looking for Gay Friends” in the Triangle Place

    Photo of man in ocean with mask by Alex Iby for Unsplash

    Reviewing Evocative Autoethnography: What Do Editors Look for?

    Full Disclosure: Echoes of Home and Reflections on Heritage and Privilege

    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    Special Issues
    An-interior-od-a-building-from-Pexels-by-Jeswin-Thomas-scaled

    The Epidemic No One Talked About: A Love Letter

    Start Again and Sparkle Always with Celestial Bodies

    Sunrise in Quartzsite__watercolor painting of mountains by Vivian Wagner-1

    Autoethnographic Poetry & Art: Traveling Through the Apocalypse

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    Pierre-Auguste Renoir, Luncheon of the Boating Party (1880-1881). Courtesy of the Phillips Collection, DC.

    Genuine Confessions from the Fearless Sommelier: Mixing Wine And Water?

    Horse, Therapy: Trauma and Healing in Animals and Humans

    Renata Ferdinand for The AutoEthnographer

    Pinkie Points It Out: My Weird Depression Looks Kinda Dope!

    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    Media

    Audio, visual, and multimodal expressions of autoethnography.

    You’re Still Here: Art and Grief in Autoethnographic Textiles

    Anaïs: A Startling And Memorable Encounter At The Vet

    A Startling and Memorable Encounter at the Vet

    Shanita Mitchell as Wicked's elphaba 2 cosplay for The Twerking Academic The AutoEthnographer

    The Twerking Academic: What Happens When A Witch Is Black & Beautiful?

    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    More

    Editorial: On Social Fiction, Stories, and the 2024 Special Issue of The AutoEthnographer

    Ft+Lauderdale2+Abstract+Painter+Suzanne+Hughes-21

    New Podcast: In What Ways Do Autoethnography & Painting Go Together?

    Empowering The Rainbow: How to Fight The Normalization Of Toxic Masculinity

    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method
  • May 31, 2025
  • Trending
    Trending
    NowWeekMonth
    Alisha Hieb for unsplash

    Recipes of Life: How Kitchens Preserve Intergenerational Narratives

    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

    Photo of woman in museum by Hermann for Pixabay

    Artistic Autoethnography: How Can We Open the Door to Boundless Artmaking?

    Photo of Coogee Beach by manny moreno for unsplash.jpg

    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

Anti-semitism

Latest
  • Latest
  • Oldest
  • Random
  • A to Z
Anna Koval for Unsplash

Odesa Revisited: Imagination and Terror                   

Michael Serby·
All ContentAutoethnographic Literary FictionVolume 3, Issue 4 (2023)
·November 12, 2023·12 min read
Odesa addresses the traumas of struggling immigrants, who face rejection and shunning rather than acceptance and understanding.
Read More

Zeen Trending Article

Alisha Hieb for unsplash

Recipes of Life: How Kitchens Preserve Intergenerational Narratives

  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Linkedin
  • Search
  • What Is The AutoEthnographer Magazine?
  • Meet Our Team of International Editors & Interns
  • Podcasts
  • Autoethnographic Writing
  • Autoethnographic Poetry
  • Autoethnographic Art & Multimedia
  • From the Editors
  • Interviews
  • News, Interviews & Reviews
  • Reflections on Method
  • Education
  • Opt-out preferences
© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method

Categories

  • All Content
  • Autoethnographic Art & Multimedia
  • Autoethnographic Poetry
  • Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
  • Education
  • From the Editors
  • Issues
    • Bodily Autonomy Special Issue, 2022-23
    • Celebrating Dr. Patricia Leavy's Social Fiction 2024
    • Climate Change Special Issue, 2022
    • Laughter Special Issue, 2023
    • Queer Special Issue, 2023-24
    • Volume 1, Issue 1 (2021)
    • Volume 1, Issue 2 (2021)
    • Volume 2, Issue 1 (2022)
    • Volume 2, Issue 2 (2022)
    • Volume 2, Issue 3 (2022)
    • Volume 2, Issue 4 (2022)
    • Volume 3, Issue 1 (2023)
    • Volume 3, Issue 2 (2023)
    • Volume 3, Issue 3 (2023)
    • Volume 3, Issue 4 (2023)
    • Volume 4, Issue 1 (2024)
    • Volume 4, Issue 2 (2024)
    • Volume 4, Issue 3 (2024)
    • Volume 4, Issue 4 (2024)
  • More
  • News, Interviews & Reviews
    • Interviews
  • Podcasts
  • Reflections on Method
  • Special Issues
  • Uncategorized
  • Work with Us!
Start typing to see results or hit ESC to close
autoethnographer autoethnography identity poetry family
See all results

SUBSCRIBE!

Go to Appearance > Customize > Subscribe Pop-up to set this up.