“blackwomanatwork” came out of my experiences working in academia as a first-generation immigrant black woman from the Caribbean.
"'SEE ME, Windows to the Self of the Performer-Autoethnographer' explores the question, 'What can I learn about myself by making artwork as autoethnography'?
"When I was first accepted into the PhD by research program in the UK, I had mixed feelings, mainly because I was about to pursue a career that I didn’t have the heart for, and partially because I would need to explore yet another new culture, country, and environment."
