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"A Passion Undivided," painting by Blaine A. White inspired by choreographer Pina Bausch

A Poem & Dance for Pina Bausch: “Love Sweet Love”

All Autoethnographic Multimedia Autoethnographic Poetry Volume 3, Issue 1 (2023)

·January 5, 2023·3 min read

"I danced each morning with Pina Bausch. I became her pupil lifting my leg up in the air like a flamingo except feeling more awake than I’ve ever been."

Screenshot of black woman dancing from Shanita Mitchell's A Seat at the Table

New Podcast: Finding Joy in Artistic Performance as Black Feminist Autoethnography

Shanita Mitchell and Renata Ferdinand·

Æ: Musings from the Editors All Interviews Podcasts Reflections on Method Volume 2, Issue 4 (2022)

·October 21, 2022·3 min read

How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.

Photo of Celeste Snowber by Michele Mateus

Autoethnography and Culture: Exploring Embodied Inquiry with Celeste Snowber

Michelle Reale·

All Education Interviews Volume 2, Issue 3 (2022)

·September 14, 2022·10 min read

"Autoethnography and culture: Embodied inquiry is not a formula, or methodology, but a way of being, being open to the body as a source of knowledge, wonder, difficulty, fragility and utter joy."

The Twerking Academic: Video, “Double Consciousness as a Black American”

Shanita Mitchell·

All Autoethnographic Multimedia Features Volume 2, Issue 3 (2022)

·September 2, 2022·2 min read

"In the newest video from The Twerking Academic, I explore how the summer of 2020 slammed me back into an awareness of my own double consciousness as a Black American."

The Twerking Academic: “Four Women,” a Multimedia Autoethnography

Shanita Mitchell·

All Autoethnographic Multimedia Volume 2, Issue 2 (2022)

·April 22, 2022·2 min read

New from The Twerking Academic, “I know what to call myself: a complicated woman. But what do they call me?“

The Twerking Academic: “Strong Black Woman”, a Multimedia Autoethnography

Shanita Mitchell·

All Autoethnographic Multimedia Volume 2, Issue 1 (2022)

·February 10, 2022·2 min read

"At what age does a Black woman learn that it is her job to be strong?"

Black Feminist Grit: “A Seat at the Table”

Shanita Mitchell·

All Autoethnographic Multimedia Volume 1, Issue 1 (2021)

·November 7, 2021·2 min read

“A Seat at the Table” is the autoethnographic manifestation of my vulnerability, anger, and anguish, of my black feminist grit."

Photo of woman dancing by The Atlanta Dance Photographer3

Autoethnographic Poetry: Embodying Bipolarism in Mania Variations II

Amanda Sieradzki·

All Autoethnographic Multimedia Autoethnographic Poetry Volume 1, Issue 2 (2021)

·October 17, 2021·8 min read

"I called out the demons one by one. I named them. I gave them precise blocking and ultimately, I controlled where they stood, breathed, and bourréed. I gave them an entrance, and a stage, and then I sent them away."

New Podcast: How Can Collage Be Utilized in Autoethnography?

New Podcast: In What Ways Do Autoethnography & Painting Go Together?

New Podcast: Finding Joy in Artistic Performance as Black Feminist Autoethnography

New Podcast: How Can Collage Be Utilized in Autoethnography?

“Queer”: Call for Submissions, 2023-24 Special Issue

Autoethnography Questions? Ask an AutoEthnographer

What Do Editors Look for When Reviewing Evocative Autoethnography?

The AutoEthnographer Is Excited to Offer Student Scholarships!

dance

A Poem & Dance for Pina Bausch: “Love Sweet Love”

New Podcast: Finding Joy in Artistic Performance as Black Feminist Autoethnography

Autoethnography and Culture: Exploring Embodied Inquiry with Celeste Snowber

The Twerking Academic: Video, “Double Consciousness as a Black American”

The Twerking Academic: “Four Women,” a Multimedia Autoethnography

The Twerking Academic: “Strong Black Woman”, a Multimedia Autoethnography

Black Feminist Grit: “A Seat at the Table”

Autoethnographic Poetry: Embodying Bipolarism in Mania Variations II

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