I channel Kincaid’s ironic and critical tone, while atoning for my failures to recognize dominant racist and classist discourses.
It grew out of my personal experience researching Black history museums; but in reality, it began a lot earlier, maybe before I was born.
Daze Jefferies·
All ContentAutoethnographic Art & MultimediaAutoethnographic PoetryClimate Change Special Issue, 2022Special Issues
··3 min read"This autoethnographic poem resembles a wave: coming, going, history, hereafter...an endless exchange."
