submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    Volumes 1-4
    autoethnographic

    Autoethnographic Fiction: Out of the Rain and Sun

    Autoethnographic Literary Nonfiction: The Reluctant Feminist – My Personal Relationship with Two Women Named Emily

    A World in Crisis: A Test of Survival

    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    Special Issues
    Illustration of Canadian goose by Terry Graff

    Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

    Fiction as Research? We Can Do That?

    Image of a Cupid foto for Pexel by Mahmut

    Love Songs to Pig-Cupid: A Collection of Poems on Bodily Autonomy

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    Pierre-Auguste Renoir, Luncheon of the Boating Party (1880-1881). Courtesy of the Phillips Collection, DC.

    Genuine Confessions from the Fearless Sommelier: Mixing Wine And Water?

    Horse, Therapy: Trauma and Healing in Animals and Humans

    Renata Ferdinand for The AutoEthnographer

    Pinkie Points It Out: My Weird Depression Looks Kinda Dope!

    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    Media

    Audio, visual, and multimodal expressions of autoethnography.

    Photo of seated woman 2 shanita mitchell the twerking academic

    “Double Consciousness as a Black American”: New Video from The Twerking Academic

    Illustration of Canadian goose by Terry Graff

    Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

    An Experimental Film About Television & the Quick Prize of Midnight Plasticity

    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    More
    Collage Image by Lee Campbell

    SEE ME, Windows to the Self of the Performer-Autoethnographer

    For Pexels by Markus Winkler

    Answering the Call of Conscience in Call Out Culture

    The Location Shoot Cover

    A Conversation with Patricia Leavy about Writing Fiction During the Pandemic and Her New Novel, The Location Shoot

    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method
  • May 9, 2025
  • Trending
    Trending
    NowWeekMonth

    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

    Photo of Papau New Guinea Man in headress by Jordan Donaldson for Unsplash

    What Is The AutoEthnographer Magazine?

    Photo of Coogee Beach by manny moreno for unsplash.jpg

    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

    I am the Roe Generation. Our struggle is now.

travelling in place

Latest
  • Latest
  • Oldest
  • Random
  • A to Z
by Scott Umstattd for Unsplash

A Hard Look at Home: On the Paradoxes of Place

Jesse Curran·
All ContentAutoethnographic EssaysVolume 4, Issue 3 (2024)
·August 21, 2024·9 min read
I channel Kincaid’s ironic and critical tone, while atoning for my failures to recognize dominant racist and classist discourses.
Read More

Zeen Trending Article

What Is Autoethnography? How Can I Learn More?

  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Linkedin
  • Search
  • What Is The AutoEthnographer Magazine?
  • Meet Our Team of International Editors & Interns
  • Podcasts
  • Autoethnographic Writing
  • Autoethnographic Poetry
  • Autoethnographic Art & Multimedia
  • From the Editors
  • Interviews
  • News, Interviews & Reviews
  • Reflections on Method
  • Education
  • Opt-out preferences
© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method

Categories

  • All Content
  • Autoethnographic Art & Multimedia
  • Autoethnographic Poetry
  • Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
  • Education
  • From the Editors
  • Issues
    • Bodily Autonomy Special Issue, 2022-23
    • Celebrating Dr. Patricia Leavy's Social Fiction 2024
    • Climate Change Special Issue, 2022
    • Laughter Special Issue, 2023
    • Queer Special Issue, 2023-24
    • Volume 1, Issue 1 (2021)
    • Volume 1, Issue 2 (2021)
    • Volume 2, Issue 1 (2022)
    • Volume 2, Issue 2 (2022)
    • Volume 2, Issue 3 (2022)
    • Volume 2, Issue 4 (2022)
    • Volume 3, Issue 1 (2023)
    • Volume 3, Issue 2 (2023)
    • Volume 3, Issue 3 (2023)
    • Volume 3, Issue 4 (2023)
    • Volume 4, Issue 1 (2024)
    • Volume 4, Issue 2 (2024)
    • Volume 4, Issue 3 (2024)
    • Volume 4, Issue 4 (2024)
  • More
  • News, Interviews & Reviews
    • Interviews
  • Podcasts
  • Reflections on Method
  • Special Issues
  • Uncategorized
  • Work with Us!
Start typing to see results or hit ESC to close
autoethnographer autoethnography identity poetry family
See all results

SUBSCRIBE!

Go to Appearance > Customize > Subscribe Pop-up to set this up.