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    Special Issue, Laughter: Give Me A Strawberry Cockroach

    Celebrating Dr. Patricia Leavy’s Body of Work: An Introduction to This Special Issue

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    An Isolated Routine of Boxing to Work out Worry

    • Volume 4
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    New Podcast: In What Ways Do Autoethnography & Painting Go Together?

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    Autoethnographic Poetry: Into the Dark, Inspired by Wendell Berry

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    After the Hate Speech Comes the Free Dessert

    • Climate Change Special Issue, 2022
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    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
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    Odesa Revisited: Imagination and Terror                   

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    Our Marriage Began in an Epidemic: Autoethnography of a Diagnosis

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    Genuine Confessions from the Fearless Sommelier: Mixing Wine And Water?

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    New Podcast: In What Ways Do Autoethnography & Painting Go Together?

    "A Passion Undivided," painting by Blaine A. White inspired by choreographer Pina Bausch

    A Poem & Dance for Pina Bausch: “Love Sweet Love”

    Armored Corps: The Spirit of Combativeness and Human Resilience – Graphic Narratives (2022-23)

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    Interview with Award-Winning Author Patricia Leavy on Literary Research

    Editorial: On Social Fiction, Stories, and the 2024 Special Issue of The AutoEthnographer

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    Interview with poet M. Soledad Caballero, Winner of the IAANI 2022 Outstanding Book Award

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    Life in Okinawa Under the American Military

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    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

    I am the Roe Generation. Our struggle is now.

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What Is Autoethnography? How Can I Learn More?

Marlen Harrison, Sandra L. Faulkner, Jessica Smartt Gullion, Nadine Khair, Lina Fe Simoy, Dilek Isler Hayirli and Ulla-Maija Matikainen·
All ContentEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 4 (2022)
·December 12, 2022·14 min read
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
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Can We Live Autoethnography? Getting to Know Marieke Slovin Lewis

Marieke Slovin Lewis·
All ContentMoreReflections on MethodVolume 2, Issue 4 (2022)
·December 9, 2022·5 min read
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
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Photo of man in boat by David Heinemann The Pandemic Nature Project

The Pandemic Nature Project, Filmed Vignettes of Life During COVID

David Heineman·
All ContentAutoethnographic Art & MultimediaClimate Change Special Issue, 2022Special IssuesVolume 2, Issue 3 (2022)
·September 2, 2022·2 min read
"The Pandemic Nature Project is a 35-minute short autoethnographic film that traces a series of personal experiences, emotional reactions, and critical responses to COVID across a series of short vignettes."
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“Double Consciousness as a Black American”: New Video from The Twerking Academic

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 2, Issue 3 (2022)
·September 2, 2022·3 min read
"In the newest video from The Twerking Academic, I explore how the summer of 2020 slammed me back into an awareness of my own double consciousness as a Black American."
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Photo of three women by Shanita Mitchell for the Autoethnographer

The Twerking Academic: “Four Women,” a Multimedia Autoethnography

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 2, Issue 2 (2022)
·April 22, 2022·3 min read
I pay homage to Nina Simone’s already iconic and thorough exploration of stereotypes by setting the project to the song “Four Women.”
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Strong Black Woman by Shanita Mitchell for The Autoethnographer

The Twerking Academic: “Strong Black Woman”, a Multimedia Autoethnography

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 2, Issue 1 (2022)
·February 10, 2022·3 min read
"At what age does a Black woman learn that it is her job to be strong?"
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Technicolor Third Space: Why Did We Develop the AutoEthnographer?

Marlen Harrison·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 1 (2022)
·December 31, 2021·5 min read
"In this brief, animated autoethnography, I utilize the concept of a sociocultural third space to consider why evocative autoethnography can benefit from its own literary and arts journal."
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Interview with Poet Jacob Meadows, Author of Shades

Marlen Harrison and Jacob Meadows·
All ContentAutoethnographic PoetryInterviewsReflections on MethodVolume 1, Issue 2 (2021)
·December 13, 2021·11 min read
"It is in finding these solutions, the tape and the glue that holds us all together, that we find the beauty of who we are as people."
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Photo of black woman in red dress by Shanita Mitchell for The AutoEthnographer

The Twerking Academic: Bodily Autonomy & “My Stuff”, a Multimedia Performance

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 1, Issue 2 (2021)
·November 13, 2021·3 min read
"Then comes that special brand of rage and dejection that the patriarchy inspires by attempting to steal away with my bodily autonomy."
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Photo of a face within a face by Shanita Mitchell for The AutoEthnographer

Black Feminist Grit: “A Seat at the Table” with The Twerking Academic

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 1, Issue 1 (2021)
·November 7, 2021·3 min read
“A Seat at the Table” is the autoethnographic manifestation of my vulnerability, anger, and anguish, of my black feminist grit."
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Featured photo of woman in sari and jewels from Nandini Manjunath

Multimedia Autoethnography: On ‘Being’ and ‘Knowing’ a Body

Nandini Manjunath·
All ContentAutoethnographic Art & MultimediaVolume 1, Issue 2 (2021)
·October 23, 2021·3 min read
”I share this artistic piece as an invitation to problematise and think further about not only the Autoethnographic “I/We” in what I/we can know about ourselves and our bodies but also to make space for the incoherence that becomes a part of “being” and “knowing” in explorations of fragmentation and loss.”
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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
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  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
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