submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
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  • Volumes 1-4
    Volumes 1-4
    Prosepina abducted by evil by Mateus Campos Felipe for Unsplash

    Cruella de Vil, from ”101 Dalmatians,” in Real Life

    Photos of marijuana leaves and cookies by Nataliya Vaitkevich for Pexels

    Autoethnographic Literary Nonfiction: Cooking with Cannabis

    Katie Rainbow for Unsplash

    The Power of Trans Empathy: Recollecting Unconditional Community Nurturing

    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    Special Issues
    By Steve Johnson for Pexels

    Our Marriage Began in an Epidemic: Autoethnography of a Diagnosis

    Photo of man in boat by David Heinemann The Pandemic Nature Project

    The Pandemic Nature Project, Filmed Vignettes of Life During COVID

    My Career Part Two: A Philosophy of Love

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    By Jordan Mcdonald for Unsplash

    Being Bi: Craving Acceptance in a Divisive Culture War

    When the Heart is Young by John Godward

    Fragrance Cultures: The Making of a Perfume Historian

    Atlas Markers: An Emerging Autoethnography

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    Media

    Audio, visual, and multimodal expressions of autoethnography.

    Visual Art titled Loveform Unfathomed by Daze Jefferies(1)

    Autoethnographic Poem: A Blue Transhistoric

    Featured photo of woman in sari and jewels from Nandini Manjunath

    Multimedia Autoethnography: On ‘Being’ and ‘Knowing’ a Body

    Sunrise in Quartzsite__watercolor painting of mountains by Vivian Wagner-1

    Autoethnographic Poetry & Art: Traveling Through the Apocalypse

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    The Call of Otherness: Love and Poetry

    Photo-of-box-of-toiletries-and-snacks-as-relief-package-at-GEM

    The AutoEthnographers Volunteer in Local Community for Hurricane Ian Relief

    Cover art from Patricia Leavy's Re_Invention created by Paul Gordon

    What Is Social Fiction? Talking Re/Invention with Patricia Leavy

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  • May 31, 2025
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    Recipes of Life: How Kitchens Preserve Intergenerational Narratives

    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

    Photo of woman in museum by Hermann for Pixabay

    Artistic Autoethnography: How Can We Open the Door to Boundless Artmaking?

    Jesus and Fentanyl: A Mortician’s Perspective

UMW

Welcome! Please get started by watching my short video below.

What Is Autoethnography? How Can I Learn More?
Autoethnographic Literary Nonfiction: The Closet in the Classroom
Black Feminist Grit: “A Seat at the Table” with The Twerking Academic
Pinkie Points it Out: Never Tell a Black Woman…
Journey of Self Love: Autoethnographic Art
Woken Word: Make Sure the Truth Is Not Omitted
¡Aguacate! Bringing Up Bebe Bilingüe: Part 1, Whiteness and Word Gaps
Emotional Research: Performing Autoethnography at My Late Father’s Village
Being a Female Gamer & Playing Lord of the Rings Online
Hair and Social Standards: Is Beauty Really in the Eye of the Beholder?
Flash Nonfiction: The Decision to Medicate
Confessions of an ESL Student: The Powerful Value of a Question
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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
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    • Bodily Autonomy Special Issue, 2022-23
    • Celebrating Dr. Patricia Leavy's Social Fiction 2024
    • Climate Change Special Issue, 2022
    • Laughter Special Issue, 2023
    • Queer Special Issue, 2023-24
    • Volume 1, Issue 1 (2021)
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