submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    Volumes 1-4
    Masaaki Komori for Unsplash

    Zona, Mon Amour: A Micro-autoethnography of a Rare Disease

    Image of hot air balloon by Pexels for Pixabay

    Technicolor Third Space: Why Did We Develop the AutoEthnographer?

    Photo of black woman in red dress by Shanita Mitchell for The AutoEthnographer

    The Twerking Academic: Bodily Autonomy & “My Stuff”, a Multimedia Performance

    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    Special Issues

    A Full-Fat Remix of Low-Fat Love Stories

    The Impact of Patricia Leavy’s Social (Sociological) Fiction

    By Steve Johnson for Pexels

    Our Marriage Began in an Epidemic: Autoethnography of a Diagnosis

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    Photo of Concrete silos in Concrete Washington by SkagitRiverQueen for Wikipedia

    What Does Homesickness Look Like? Concrete, Fish, & Staying the Same

    by Rivage for Unsplash

    The Resistant Analysand: A Memoir

    A peruvian Dancer By Federico Scarionati for Unsplash

    Emerging Immigrant’s Accents: This is the Spoken Birthright of Bicultural Spanglish

    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    Media

    Audio, visual, and multimodal expressions of autoethnography.

    Photo of Black woman's face by Shanita Mitchell for The AutoEthnographer

    The Twerking Academic on Black Hair: How Deep Is Your Love?

    Shanita Mitchell as Wicked's elphaba 2 cosplay for The Twerking Academic The AutoEthnographer

    The Twerking Academic: What Happens When A Witch Is Black & Beautiful?

    Anaïs: A Startling And Memorable Encounter At The Vet

    A Startling and Memorable Encounter at the Vet

    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    More
    Celestial Bodies_Front Cover JPG

    Interview with Award-Winning Author Patricia Leavy on Literary Research

    Ft+Lauderdale2+Abstract+Painter+Suzanne+Hughes-21

    New Podcast: In What Ways Do Autoethnography & Painting Go Together?

    Photo of Papau New Guinea Man in headress by Jordan Donaldson for Unsplash

    What Is The AutoEthnographer Magazine?

    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method
  • May 30, 2025
  • Trending
    Trending
    NowWeekMonth
    Alisha Hieb for unsplash

    Recipes of Life: How Kitchens Preserve Intergenerational Narratives

    What Is Autoethnography? How Can I Learn More?

    Storytelling as Academic Writing: How to Embrace Creative Nonfiction

    Aerial View of City Buildings in Phristina for Pexels by Ferdi Noberda

    Ten Powerful Poems by Albanian Poets and Their Translations

    Photo of woman in museum by Hermann for Pixabay

    Artistic Autoethnography: How Can We Open the Door to Boundless Artmaking?

Aliya Khan
JoinedNovember 17, 2021
Articles4
Aliya Khan is a Bangladeshi born female, who lives in Ontario, Canada. She completed her BA in Business with a minor in English in 2000 from Iowa and then her MA in English in 2021 from SNHU. She is a certified ESL/ TESL teacher and works as a Business and ESL teacher. She spends her free time with her family and three cats. Her earlier publications were for an English newspaper in Bangladesh, where she would occasionally publish her observations, thoughts or experiences such as postpartum depression. In Canada she presented her writing for the feminist conference to create awareness of depression and cultural oppression. Aliya writes stories as an auto ethnographer to create a world where there is space for women of different colour, culture and traditions. She wants people to become aware of the issues with cultural pressure, body image, expectations from women, subjugation. But also, to make society realize the resilience and core strength that exists within women as well.

Love and Loss

Aliya Khan·
All ContentAutoethnographic Literary NonfictionVolume 4, Issue 1 (2024)
·January 23, 2024·19 min read
This is from the experience of losing someone who you thought would be a part of your family, only to realize their journey was different.
Read More
Photo of Bangladeshi Woman by Gaurav Bagdi on Unsplashb(1)

The Challenges of Being a Woman in Bangladesh: Asha’s Story

Aliya Khan·
All ContentAutoethnographic Literary FictionVolume 2, Issue 4 (2022)
·November 4, 2022·47 min read
"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."
Read More
Photo of Bangladeshi woman reading by Joy Deb for Pexels b

The Challenges of Being a Woman in Bangladesh: Rehnuma’s Story

Aliya Khan·
All ContentAutoethnographic Literary FictionAutoethnographic WritingVolume 2, Issue 2 (2022)
·April 25, 2022·42 min read
"Ami Tau Ami (I Am Who I Am), is a story about a mother letting go of her own dreams but passing it to her daughter, as my mother did for me."
Read More
Photo-of-Bangladeshi-bride-by-Kbanik79-for-Pixabay

The Challenges of Being a Woman in Bangladesh: Meena’s Story

Aliya Khan·
All ContentAutoethnographic Literary FictionAutoethnographic WritingVolume 2, Issue 1 (2022)
·February 16, 2022·22 min read
"My stories are meant to give women from Bangladesh a chance to show their strength and resilience. It is a way for me to try to connect with the rest of the world despite the differences in language and culture."
Read More
  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Linkedin
  • Search
  • What Is The AutoEthnographer Magazine?
  • Meet Our Team of International Editors & Interns
  • Podcasts
  • Autoethnographic Writing
  • Autoethnographic Poetry
  • Autoethnographic Art & Multimedia
  • From the Editors
  • Interviews
  • News, Interviews & Reviews
  • Reflections on Method
  • Education
  • Opt-out preferences
© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method

Categories

  • All Content
  • Autoethnographic Art & Multimedia
  • Autoethnographic Poetry
  • Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
  • Education
  • From the Editors
  • Issues
    • Bodily Autonomy Special Issue, 2022-23
    • Celebrating Dr. Patricia Leavy's Social Fiction 2024
    • Climate Change Special Issue, 2022
    • Laughter Special Issue, 2023
    • Queer Special Issue, 2023-24
    • Volume 1, Issue 1 (2021)
    • Volume 1, Issue 2 (2021)
    • Volume 2, Issue 1 (2022)
    • Volume 2, Issue 2 (2022)
    • Volume 2, Issue 3 (2022)
    • Volume 2, Issue 4 (2022)
    • Volume 3, Issue 1 (2023)
    • Volume 3, Issue 2 (2023)
    • Volume 3, Issue 3 (2023)
    • Volume 3, Issue 4 (2023)
    • Volume 4, Issue 1 (2024)
    • Volume 4, Issue 2 (2024)
    • Volume 4, Issue 3 (2024)
    • Volume 4, Issue 4 (2024)
  • More
  • News, Interviews & Reviews
    • Interviews
  • Podcasts
  • Reflections on Method
  • Special Issues
  • Uncategorized
  • Work with Us!
Start typing to see results or hit ESC to close
autoethnographer autoethnography identity poetry family
See all results

SUBSCRIBE!

Go to Appearance > Customize > Subscribe Pop-up to set this up.