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Terry Graff

Terry Graff is a full-time professional artist, the recipient of major commissions, acquisitions, grants, and awards. His work has been presented regionally, nationally, and internationally, and includes mixed media drawings, paintings, collages, assemblages, sculpture, kinetic works, and multi-media installations. Born in Cambridge (Galt), Ontario, Canada, Graff studied Fine Art at the Doon School of Fine Arts, Doon, Ontario, and Fanshawe College of Applied Arts and Technology, London, Ontario. He received a B.A. in Fine Art from the University of Guelph, Guelph, Ontario, and a B.Ed in Visual Arts from the University of Western Ontario, London, Ontario. He also studied art history, philosophy of art, media arts, and art education at Wayne State University, Detroit, Michigan, received a postgraduate diploma in Fine Art (M.F.A. equivalent) from the Jan Van Eyck Academie, Maastricht, the Netherlands, and holds a M.A. in Art Education from the Nova Scotia College of Art and Design, Halifax, Nova Scotia (Thesis: Art and Ecological Vision). In recognition of his various cultural contributions across Canada, he has received many awards and honours, including the Fanshawe College Distinguished Alumni Award; The Commemorative Medal for the Centennial of Saskatchewan (Official Honour of the Crown recognizing individuals who have made a significant contribution to the Province of Saskatchewan); the Christina Sabat Award for Art Criticism in Atlantic Canada sponsored by the Sheila Hugh MacKay Foundation; and two eagle feathers from the Mi’kmaq First Nation for his work in promoting the art of First Nations artists.

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QUACK-IN-THE-BOX-1974-mixed-media-assemblage-by-Terry-Graff

Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 2 – Automatons and Mutants

“As the world’s bird populations decline precipitously, will the many winged creatures we knew as children live only in the mists of memory?”

Illustration of Canadian goose by Terry Graff

All Autoethnographic Essays Autoethnographic Multimedia Special Issue 2022: Climate Change

Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

“In retrospect, it was inevitable that birds and machines would converge in my work as a life-long exploration and expression of the relationship between nature and technology through the creation of avian cyborgs, the genesis of which can be traced back to my early drawings of robots and of the bygone birds of my childhood.”