submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
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    Artistic Autoethnography: How Can We Open the Door to Boundless Artmaking?

William Doan
JoinedJuly 15, 2021
Articles3
William J. Doan, Ph.D., is a past president of the Association for Theatre in Higher Education and a Fellow in the College of Fellows of The American Theatre. In addition to articles in scholarly journals, Doan has co-authored three books and several plays. He has created solo performance projects at a variety of venues across the U.S., and abroad, including Drifting, a solo performance about traumatic brain, injury, sibling loss, and memory. His current work includes a new performance piece, Frozen In The Toilet Paper Aisle of Life, part of a larger project titled The Anxiety Project. Work from this project includes multiple short graphic narratives published in the Annals of Internal Medicine/Graphic Medicine, Cleaver Magazine, and Intima: the Journal of Narrative Medicine, as well as an award winning short animated film, Inhale, Exhale, Draw. He is a Professor of Theatre in the College of Arts and Architecture and Director of the Arts and Design Research Incubator at The Pennsylvania State University. Doan served as artist-in-residence for the College of Nursing for two years and as the Penn State Laureate for 2019-2020.
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Reviewing Evocative Autoethnography: What Do Editors Look for?

Odessa Ogo, Antony Kaminju, Shanita Mitchell, Jacob Meadows, Jessica Smartt Gullion, Nadine Khair, William Doan and Marlen Harrison·
All ContentEducationFrom the EditorsMoreVolume 1, Issue 2 (2021)
·October 8, 2021·6 min read
"When I review evocative autoethnography I look for that layer in the contribution that will entertain and connect to a cultural issue."
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Photo of man sitting in front of projected illustration of dying woman

Multimedia Autoethnography: “Drifting,” an Exploration of Sibling Loss

William Doan·
All ContentAutoethnographic Art & MultimediaAutoethnographic WritingVolume 1, Issue 1 (2021)
·August 5, 2021·7 min read
"I'm not exactly sure when I decided to make a performance piece about my sister's traumatic brain injury and death. In fact, I'm not sure there ever was a single moment of decision. Her story had become public in many ways, from online care sites to prayer chains to social media posts from family and friends. Her story was being performed out in the world before I started telling it."
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