You’re Still Here: Art and Grief in Autoethnographic Textiles Artist’s Memo You’re Still Here: Art and Grief in Autoethnographic Textiles...
Issues
All
- Bodily Autonomy Special Issue, 2022-23
- Celebrating Dr. Patricia Leavy's Social Fiction 2024
- Climate Change Special Issue, 2022
- Laughter Special Issue, 2023
- Queer Special Issue, 2023-24
- Volume 1, Issue 1 (2021)
- Volume 1, Issue 2 (2021)
- Volume 2, Issue 1 (2022)
- Volume 2, Issue 2 (2022)
- Volume 2, Issue 3 (2022)
- Volume 2, Issue 4 (2022)
- Volume 3, Issue 1 (2023)
- Volume 3, Issue 2 (2023)
- Volume 3, Issue 3 (2023)
- Volume 3, Issue 4 (2023)
- Volume 4, Issue 1 (2024)
- Volume 4, Issue 2 (2024)
- Volume 4, Issue 3 (2024)
- Volume 4, Issue 4 (2024)
As I discuss my first queer event, a book discussion about a queer young adult book, Canto Contigo, I will explore my anxieties about my sexual identity, and the repercussions of this community warfare.
This article is a prequel to ongoing research into DIY Healing Within Ancestral Lands. A project born of growing up in a family system that was not kind, welcoming or loving.
This piece of original short fiction contains plot elements based on my recent adventures hiking remote trails in Ecuador and Colorado.
Written by a white, cisgender, male yoga practitioner and newly qualified teacher from a working-class, Northern English background, this account seeks to elucidate upon how the issues noted may manifest.
I wrote “The Crevasse: A Love Letter” to help me grapple with confusing changes to the terrain of my life.
Leavy’s Writing and Publishing Qualitative Research is a comprehensive guide that navigates the intricate landscape of qualitative research from the writing phase to publishing.
Coping with Pet Bereavement: My Forever Love for My Beautiful Cat 'Timi' is definitely not a farewell; it is only a love letter for my beloved cat who got lost on January 15, 2023, days after a magnitude 5.6 earthquake hit southern Türkiye. Like my country, I was also shaken deeply, and like the buildings, my heart almost collapsed.
From all there is something to be learned, as the river itself has been victimized, has not escaped its own environmental terrorism.
The poems in this collection are a reflection on my zero waste aspirations (and the values behind the movement at large).
Story-worlds were magical—they transported me to different places where I’d meet new people, and learn about their lives in visceral ways.
In Part One, I situated my work within the context of the work of writers. Now, I’m situating my work within the context of women writers.
