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    Masaaki Komori for Unsplash

    Zona, Mon Amour: A Micro-autoethnography of a Rare Disease

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    Technicolor Third Space: Why Did We Develop the AutoEthnographer?

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    The Twerking Academic: Bodily Autonomy & “My Stuff”, a Multimedia Performance

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    Autoethnographic Poetry: First Summer in Whitehorse

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    Middle Age Blues

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    Autoethnographic Poetry: Into the Dark, Inspired by Wendell Berry

    • Climate Change Special Issue, 2022
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    What Does Homesickness Look Like? Concrete, Fish, & Staying the Same

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    Tattoo Meanings: Love, Loss, & Autoethnographic Musings

    Celebrating Dr. Patricia Leavy’s Body of Work: An Introduction to This Special Issue

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    Strong Black Woman by Shanita Mitchell for The Autoethnographer

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    An Experimental Film About Television & the Quick Prize of Midnight Plasticity

    Visual Art titled Loveform Unfathomed by Daze Jefferies(1)

    Autoethnographic Poem: A Blue Transhistoric

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    Exciting Opportunity To Participate in National Poetry Month

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  • May 31, 2025
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    Recipes of Life: How Kitchens Preserve Intergenerational Narratives

    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

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    Artistic Autoethnography: How Can We Open the Door to Boundless Artmaking?

    Jesus and Fentanyl: A Mortician’s Perspective

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Photo of man in boat by David Heinemann The Pandemic Nature Project

The Pandemic Nature Project, Filmed Vignettes of Life During COVID

David Heineman·
All ContentAutoethnographic Art & MultimediaClimate Change Special Issue, 2022Special IssuesVolume 2, Issue 3 (2022)
·September 2, 2022·2 min read
"The Pandemic Nature Project is a 35-minute short autoethnographic film that traces a series of personal experiences, emotional reactions, and critical responses to COVID across a series of short vignettes."
Read More
Featured photo of woman in sari and jewels from Nandini Manjunath

Multimedia Autoethnography: On ‘Being’ and ‘Knowing’ a Body

Nandini Manjunath·
All ContentAutoethnographic Art & MultimediaVolume 1, Issue 2 (2021)
·October 23, 2021·3 min read
”I share this artistic piece as an invitation to problematise and think further about not only the Autoethnographic “I/We” in what I/we can know about ourselves and our bodies but also to make space for the incoherence that becomes a part of “being” and “knowing” in explorations of fragmentation and loss.”
Read More

Zeen Trending Article

Alisha Hieb for unsplash

Recipes of Life: How Kitchens Preserve Intergenerational Narratives

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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
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    • Volume 2
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  • Special Issues
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    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
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