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    My Career Part Two: A Philosophy of Love

    "A Passion Undivided," painting by Blaine A. White inspired by choreographer Pina Bausch

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    New Book: Coping with Parental Death, by Michelle Shreeve

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    Prosepina abducted by evil by Mateus Campos Felipe for Unsplash

    Cruella de Vil, from ”101 Dalmatians,” in Real Life

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    After the Hate Speech Comes the Free Dessert

    Celebrating Dr. Patricia Leavy’s Body of Work: An Introduction to This Special Issue

    • Climate Change Special Issue, 2022
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    Photo of arm getting tattooed by Felix for Pixabay

    Tattoo Meanings: Love, Loss, & Autoethnographic Musings

    Angel of Death illustration by Ria Sopala from Pixabay

    Flash Nonfiction: “The Things They Carried,” A Glimpse Into the Funeral Industry

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    The Pivotal—and Pivoting—Role of the Arts During Covid

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    The Twerking Academic: “Four Women,” a Multimedia Autoethnography

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    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

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    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

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    Ten Powerful Poems by Albanian Poets and Their Translations

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Photo of woman at window by Shanita Mitchell

Performance and Autoethnography: Award-winning Artist Offers Exclusive Insight

Shanita Mitchell and Marlen Harrison·
All ContentAutoethnographic Art & MultimediaMorePodcastsReflections on MethodVolume 3, Issue 2 (2023)
·April 30, 2023·18 min read
Today we're talking with the award-winning author, researcher, and performer, Shanita Mitchell about performance and autoethnography.
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The Ultimate Wave: Prose Poetry of the Pandemic and Parents

Joel Peckham, JR.·
All ContentAutoethnographic Art & MultimediaAutoethnographic PoetryVolume 3, Issue 2 (2023)
·March 27, 2023·6 min read
The Ultimate Wave: Prose Poetry of the Pandemic and Parents Author’s Memo “The Wave” examines the problem of pleasure and...
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Kaleidoscope of potraits by geralt for Pixabay

The AutoEthnographer’s Commitment to Diversity, Equity, and Inclusion (DEI)

Marlen Harrison·
All ContentNews, Interviews & ReviewsVolume 2, Issue 4 (2022)
·October 28, 2022·1 min read
"The AutoEthnographer is committed to diversity, equity, & inclusion in its administration; support of emerging authors and artists; & celebration of creative expression as a vehicle for shared understanding & positive change."
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Photo of three women by Shanita Mitchell for the Autoethnographer

The Twerking Academic: “Four Women,” a Multimedia Autoethnography

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 2, Issue 2 (2022)
·April 22, 2022·3 min read
I pay homage to Nina Simone’s already iconic and thorough exploration of stereotypes by setting the project to the song “Four Women.”
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Photo of three women dancing by Shanita Mitchell for The AutoEthnographer

The AutoEthnographer’s Shanita Mitchell Wins 2022 IAANI Award

Marlen Harrison·
All ContentNews, Interviews & ReviewsVolume 1, Issue 2 (2021)
·November 16, 2021·1 min read
"Congratulations to Shanita Mitchell, Editorial Board member of The AutoEthnographer and multimedia artist, for her recognition by the International Association of Autoethnography and Narrative Inquiry (IAANI)."
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Featured photo of woman in sari and jewels from Nandini Manjunath

Multimedia Autoethnography: On ‘Being’ and ‘Knowing’ a Body

Nandini Manjunath·
All ContentAutoethnographic Art & MultimediaVolume 1, Issue 2 (2021)
·October 23, 2021·3 min read
”I share this artistic piece as an invitation to problematise and think further about not only the Autoethnographic “I/We” in what I/we can know about ourselves and our bodies but also to make space for the incoherence that becomes a part of “being” and “knowing” in explorations of fragmentation and loss.”
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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
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  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
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