”I share this artistic piece as an invitation to problematise and think further about not only the Autoethnographic “I/We” in what I/we can know about ourselves and our bodies but also to make space for the incoherence that becomes a part of “being” and “knowing” in explorations of fragmentation and loss.”
Today we're talking with the award-winning author, researcher, and performer, Shanita Mitchell about performance and autoethnography.
"The AutoEthnographer is committed to diversity, equity, & inclusion in its administration; support of emerging authors and artists; & celebration of creative expression as a vehicle for shared understanding & positive change."
"Congratulations to Shanita Mitchell, Editorial Board member of The AutoEthnographer and multimedia artist, for her recognition by the International Association of Autoethnography and Narrative Inquiry (IAANI)."
I pay homage to Nina Simone’s already iconic and thorough exploration of stereotypes by setting the project to the song “Four Women.”
The Ultimate Wave: Prose Poetry of the Pandemic and Parents Author’s Memo “The Wave” examines the problem of pleasure and...