submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    Volumes 1-4

    #blackwomanatwork: How to Make Yourself Mobbing-proof

    Image of beautiful Brno-střed by Ignat Arapov for Unsplash

    After the Hate Speech Comes the Free Dessert

    By Brett Jordan for Unsplash

    Aspy In The Skype With Diamonds (A Love Poem)

    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    Special Issues
    Anaïs: A Startling And Memorable Encounter At The Vet

    A Startling and Memorable Encounter at the Vet

    Sandra Faulkner headshot

    Middle Age Blues

    Gayatri Malhotra For Unsplash

    Limited (Or No) Reproductive Rights through Generations: This Solitary Choice

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    By Katherine Hanlon for Unsplash

    Breaking Free: Reclaiming Authenticity in a Capitalist World

    Prosepina abducted by evil by Mateus Campos Felipe for Unsplash

    Cruella de Vil, from ”101 Dalmatians,” in Real Life

    Illustration of Canadian goose by Terry Graff

    Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    Media

    Audio, visual, and multimodal expressions of autoethnography.

    Photo-of-Turkish-women-by-Dilek-Hayirli

    Emotional Research: Performing Autoethnography at My Late Father’s Village

    Featured photo of woman in sari and jewels from Nandini Manjunath

    Multimedia Autoethnography: On ‘Being’ and ‘Knowing’ a Body

    Florencia Rusiñol album cover for Home

    Finding Home Within: Introducing Singer/Songwriter Florencia Rusiñol

    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    More
    Celestial Bodies_Front Cover JPG

    Interview with Award-Winning Author Patricia Leavy on Literary Research

    Ft+Lauderdale2+Abstract+Painter+Suzanne+Hughes-21

    New Podcast: In What Ways Do Autoethnography & Painting Go Together?

    Photo of Papau New Guinea Man in headress by Jordan Donaldson for Unsplash

    What Is The AutoEthnographer Magazine?

    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method
  • May 9, 2025
  • Trending
    Trending
    NowWeekMonth

    What Is Autoethnography? How Can I Learn More?

    Photo of Papau New Guinea Man in headress by Jordan Donaldson for Unsplash

    What Is The AutoEthnographer Magazine?

    Life in Okinawa Under the American Military

    Photo of Coogee Beach by manny moreno for unsplash.jpg

    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

    Image by Adrian Fernandez for Unsplash

    Hair and Social Standards: Is Beauty Really in the Eye of the Beholder?

New York

Latest
  • Latest
  • Oldest
  • Random
  • A to Z
Image of figure with paint strokes by Jr Korpa for Unsplash

My Journey to Poetry: Nonagenarian Poet Milton Carp Reflects on His Process

Milton Carp·
All ContentAutoethnographic PoetryReflections on MethodVolume 1, Issue 2 (2021)
·October 31, 2021·12 min read
"Once I have the first line or two, the rest of the poem seems to flow rather easily. I write whatever comes to mind. Somewhat like a story rather than a poem. I then start to take out the excess words and phrases and pare it down to the essence of what I wish to say. Other times I do not change a word. The muses come and go on their own. I also believe poetry has chosen me."
Read More

Zeen Trending Article

What Is Autoethnography? How Can I Learn More?

  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Linkedin
  • Search
  • What Is The AutoEthnographer Magazine?
  • Meet Our Team of International Editors & Interns
  • Podcasts
  • Autoethnographic Writing
  • Autoethnographic Poetry
  • Autoethnographic Art & Multimedia
  • From the Editors
  • Interviews
  • News, Interviews & Reviews
  • Reflections on Method
  • Education
  • Opt-out preferences
© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method

Categories

  • All Content
  • Autoethnographic Art & Multimedia
  • Autoethnographic Poetry
  • Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
  • Education
  • From the Editors
  • Issues
    • Bodily Autonomy Special Issue, 2022-23
    • Celebrating Dr. Patricia Leavy's Social Fiction 2024
    • Climate Change Special Issue, 2022
    • Laughter Special Issue, 2023
    • Queer Special Issue, 2023-24
    • Volume 1, Issue 1 (2021)
    • Volume 1, Issue 2 (2021)
    • Volume 2, Issue 1 (2022)
    • Volume 2, Issue 2 (2022)
    • Volume 2, Issue 3 (2022)
    • Volume 2, Issue 4 (2022)
    • Volume 3, Issue 1 (2023)
    • Volume 3, Issue 2 (2023)
    • Volume 3, Issue 3 (2023)
    • Volume 3, Issue 4 (2023)
    • Volume 4, Issue 1 (2024)
    • Volume 4, Issue 2 (2024)
    • Volume 4, Issue 3 (2024)
    • Volume 4, Issue 4 (2024)
  • More
  • News, Interviews & Reviews
    • Interviews
  • Podcasts
  • Reflections on Method
  • Special Issues
  • Uncategorized
  • Work with Us!
Start typing to see results or hit ESC to close
autoethnographer autoethnography identity poetry family
See all results

SUBSCRIBE!

Go to Appearance > Customize > Subscribe Pop-up to set this up.