submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    Volumes 1-4
    Photo-of-Bangladeshi-bride-by-Kbanik79-for-Pixabay

    The Challenges of Being a Woman in Bangladesh: Meena’s Story

    I Was a Bell poems by Soledad Caballero cover art by Caitlin Sacks

    Interview with poet M. Soledad Caballero, Winner of the IAANI 2022 Outstanding Book Award

    Masaaki Komori for Unsplash

    Zona, Mon Amour: A Micro-autoethnography of a Rare Disease

    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    Special Issues
    By Fuu J for Unsplash

    Bodily Autonomy Special Issue: A Poem of Healing

    Sandra Faulkner headshot

    Middle Age Blues

    four women supporting each other For Vonecia Carswell Unsplash

    Contraction: “A stranger held my hand and still, I think I love her”

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    colorful sunset by kienvirak

    Autoethnographic Literary Fiction: “Cold Snap,” a Climate Catastrophe Story

    Photo of graduates by Jane Carmona for Unsplash

    Autoethnographic Literary Nonfiction: Breaking Personal Boundaries, My Path to the PhD

    By Minh Tran for Unsplash

    Asian Other: A Young Man’s Reflections on Sexuality, Ethnicity and Identity

    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    Media

    Audio, visual, and multimodal expressions of autoethnography.

    Photo-of-Turkish-women-by-Dilek-Hayirli

    Emotional Research: Performing Autoethnography at My Late Father’s Village

    Topophilia and Inner Landscapes: On Being a Body in a Place

    Photo of woman dancing by The Atlanta Dance Photographer3

    Autoethnographic Poetry: Embodying Bipolarism in Mania Variations II

    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    More

    The Call of Otherness: Love and Poetry

    Photo-of-box-of-toiletries-and-snacks-as-relief-package-at-GEM

    The AutoEthnographers Volunteer in Local Community for Hurricane Ian Relief

    Cover art from Patricia Leavy's Re_Invention created by Paul Gordon

    What Is Social Fiction? Talking Re/Invention with Patricia Leavy

    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method
  • May 30, 2025
  • Trending
    Trending
    NowWeekMonth
    Alisha Hieb for unsplash

    Recipes of Life: How Kitchens Preserve Intergenerational Narratives

    What Is Autoethnography? How Can I Learn More?

    Storytelling as Academic Writing: How to Embrace Creative Nonfiction

    Aerial View of City Buildings in Phristina for Pexels by Ferdi Noberda

    Ten Powerful Poems by Albanian Poets and Their Translations

    Photo of woman in museum by Hermann for Pixabay

    Artistic Autoethnography: How Can We Open the Door to Boundless Artmaking?

Barbara File Marangon
JoinedMay 6, 2022
Articles3
Barbara File Marangon loves writing fiction and non-fiction, transporting her readers to places where the past and present exist together. She records history from a different camera lens. Born in New York she trained to be a ballet dancer and performed in classical ballets, operas, musicals—and the circus. She traded her pointe shoes to perform with an elephant touring the U.S. with Ringling Bros. Circus. She wrote about it in her first memoir, Detour on an Elephant, A Year Dancing with the Greatest Show on Earth. Her work continued in Italy where she danced, taught, and choreographed ballets for almost two decades, inspiring her second memoir, Chasing Castles, Nineteen Years Living and Teaching Ballet in Italy. Barbara was awarded the Ballets Russes Fellowship at the University of Oklahoma where she taught and received her MFA in Dance. Her writing has appeared in Dance Magazine and Florida Writer’s Magazine. She lives in Florida with her husband and two dogs, and is presently writing a mystery/romance novel that takes place in Venice Italy.
Photo-of-can-can-dancers-by-Audrey-Penven-for-Flickr

The Joy of Learning Valuable Lessons as a Dancer

Barbara File Marangon·
All ContentAutoethnographic Literary NonfictionVolume 3, Issue 2 (2023)
·May 11, 2023·7 min read
"From dancing at New York’s Metropolitan Opera to the Cow Palace in San Francisco, every venue taught me valuable lessons."
Read More
Vintage Ringling Brothers Barnum Bailey Circus Poster d

Dancing for My Supper Like the Old Vaudevillians

Barbara File Marangon·
All ContentAutoethnographic Literary NonfictionVolume 2, Issue 4 (2022)
·November 2, 2022·5 min read
"Barriers melt like grilled cheese at the table when you're dancing for your supper like the old vaudevillians."
Read More
Photo of woman outside opera house provided by Barbara Marangon

Have You Ever Crossed the Desert in a Circus Train?

Barbara File Marangon·
All ContentAutoethnographic Literary NonfictionAutoethnographic WritingVolume 2, Issue 2 (2022)
·May 6, 2022·5 min read
"Have you ever crossed the desert in a circus train? I took such a detour—by choice— in 1978 when I hung up my pointe shoes to ride an elephant named Peggy."
Read More
  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Linkedin
  • Search
  • What Is The AutoEthnographer Magazine?
  • Meet Our Team of International Editors & Interns
  • Podcasts
  • Autoethnographic Writing
  • Autoethnographic Poetry
  • Autoethnographic Art & Multimedia
  • From the Editors
  • Interviews
  • News, Interviews & Reviews
  • Reflections on Method
  • Education
  • Opt-out preferences
© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method

Categories

  • All Content
  • Autoethnographic Art & Multimedia
  • Autoethnographic Poetry
  • Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
  • Education
  • From the Editors
  • Issues
    • Bodily Autonomy Special Issue, 2022-23
    • Celebrating Dr. Patricia Leavy's Social Fiction 2024
    • Climate Change Special Issue, 2022
    • Laughter Special Issue, 2023
    • Queer Special Issue, 2023-24
    • Volume 1, Issue 1 (2021)
    • Volume 1, Issue 2 (2021)
    • Volume 2, Issue 1 (2022)
    • Volume 2, Issue 2 (2022)
    • Volume 2, Issue 3 (2022)
    • Volume 2, Issue 4 (2022)
    • Volume 3, Issue 1 (2023)
    • Volume 3, Issue 2 (2023)
    • Volume 3, Issue 3 (2023)
    • Volume 3, Issue 4 (2023)
    • Volume 4, Issue 1 (2024)
    • Volume 4, Issue 2 (2024)
    • Volume 4, Issue 3 (2024)
    • Volume 4, Issue 4 (2024)
  • More
  • News, Interviews & Reviews
    • Interviews
  • Podcasts
  • Reflections on Method
  • Special Issues
  • Uncategorized
  • Work with Us!
Start typing to see results or hit ESC to close
autoethnographer autoethnography identity poetry family
See all results

SUBSCRIBE!

Go to Appearance > Customize > Subscribe Pop-up to set this up.