”I share this artistic piece as an invitation to problematise and think further about not only the Autoethnographic “I/We” in what I/we can know about ourselves and our bodies but also to make space for the incoherence that becomes a part of “being” and “knowing” in explorations of fragmentation and loss.”
"I called out the demons one by one. I named them. I gave them precise blocking and ultimately, I controlled where they stood, breathed, and bourréed. I gave them an entrance, and a stage, and then I sent them away."
New Issue! Volume 1, Issue 1, Summer 2021
"When I review evocative autoethnography I look for that layer in the contribution that will entertain and connect to a cultural issue."
"As fragrance, and perfume in particular, has played a major role in the shaping of my writer’s voice, and participation in cultures of fragrance has had a major impact upon my identity, it is impossible to situate myself outside of these cultures. It is because of this privilege of “insider identity” within the global fragrance community and my natural inclination towards narrative research that I turned to autoethnography."
"When I was first accepted into the PhD by research program in the UK, I had mixed feelings, mainly because I was about to pursue a career that I didn’t have the heart for, and partially because I would need to explore yet another new culture, country, and environment."
"My poems are not entirely mine. They belong to the people and events of my passage through life. For once the dam is breached its contents flow unabridged. - Milton Carp, poet at 91"
"I have personally been that teenager, marking down “white” on a school application, hesitating to answer when an Anglo-American asked me “what are you?”, and leaving those experiences with a deeper sense of displacement."
"If abortion can be banned, largely due to Christian beliefs, what is to stop an overturning of the legalization of gay marriage or the disestablishment of “Don’t Ask, Don’t Tell?” If The Handmaid’s Tale taught me anything, it is to never believe that I am truly safe, untouchable."
“What if I were Offred? What if I was a handmaid or a gender traitor living in Gilead?”
"For me, being a feminist simply means I am a strong, independent woman who has ideas and thoughts of her own; but it also means something else, which is an idea that confuses even me. I mean, how could I be a feminist when I am also a conservative woman?"
"For the first time since my adolescence, I am recognizing that I don’t have to believe what everyone believes, nor do I have to base my morals on faceless strangers who don’t know who I am, or what my experiences are."