Hard Water: An Autoethnography of American Rust is concerned with the spatial formations of capitalism and the psychology of class hegemony.
“blackwomanatwork” came out of my experiences working in academia as a first-generation immigrant black woman from the Caribbean.
It is a reckoning on sisters and queers after themes of family violence, sibling disconnection and queer isolation emerge.
In this four-part series, I’ll take you back through my journey from the beginning. To explore how the conditioning of the Western environment I was born into served in disconnecting me from my own inner authenticity.
We address how to fragment and unite in this autoethnographic study, which we developed over the Messenger App. It utilises poetry and collage around death, loneliness, postmodern culture, and the latter’s related oppressive discourses and language, and alienation.
"Armored Corps: The spirit of combativeness and human resilience" is the theme of a graphic narrative project.
Syrian Identity and Academic Self: Emerging Research or Ruthless Methodology seeks to illuminate a personal reflection that sparked a unique line of inquiry, ultimately leading to an innovative exploration within my research project.
I channel Kincaid’s ironic and critical tone, while atoning for my failures to recognize dominant racist and classist discourses.
This piece, Hot Pink Truth Serum of My Trauma, is an autoethnography that speaks to the cultures and communities of survivors of childhood sexual abuse and violence.
This piece is a creative reflection which emerged out of the auto-ethnographic reflections from my PhD around research extraction.
Can a colorless person have any sense of what it feels like to be prejudged against, before “the you - inside yourself” opens your eyes in the morning?
I’ll take you back through my journey and then reveal how I overcame my mental health challenges and reconnected with my true self.
