I share the complexity of my frustration about a failed site visit to the British Museum and wonder about the meaning of the experience.
"Combining autoethnography and artwork, Supreme Justice aims to reveal the persistence of institutionalized oppression of women through history."
Narrating Estrangement is written by those who have decided to distance themselves from, or have been driven out by, their families.
Through all of the things that separate us, there is one universal experience that transcends all barriers: love.
It is a reckoning on sisters and queers after themes of family violence, sibling disconnection and queer isolation emerge.
On Emerging Liberated of the Glass Box Author’s Memo Like many others in the American South, I began my teens...
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
“Manslation” explores several episodes from the author’s childhood and early adulthood that show the development of his sexual literacy.
"Congratulations to Shanita Mitchell, Editorial Board member of The AutoEthnographer and multimedia artist, for her recognition by the International Association of Autoethnography and Narrative Inquiry (IAANI)."
This piece, Hot Pink Truth Serum of My Trauma, is an autoethnography that speaks to the cultures and communities of survivors of childhood sexual abuse and violence.
"At what age does a Black woman learn that it is her job to be strong?"
This piece on hair describes how ideas of what is and is not fashionable, as depicted in popular media, can indelibly affect one’s self-perception and identity.
