"Here is a humble attempt for the 2022 special issue that comes in simple words to show how climate change begins at home."
"Everybody is a poet in the sense that everyone was/is making do—and making magic—with what they had/have."
"My Old Kentucky Homo," highlights my failure to assimilate into the community in which I still live, fourteen years later.
"Censorship via banned books is an attempt to censor the future but the youth of today will not allow their voices to be silenced."
In Part One, I situated my work within the context of the work of writers. Now, I’m situating my work within the context of women writers.
Syrian Identity and Academic Self: Emerging Research or Ruthless Methodology seeks to illuminate a personal reflection that sparked a unique line of inquiry, ultimately leading to an innovative exploration within my research project.
"At friends’ homes and the inexpensive trattorias where I usually ate, there was always wine and water on the table, but often only one glass."
Ethology is a highly fictionalized ethnographic account of my travels around Tanzania, East Africa during my teens.
What this essay tries to capture is both the wonder and the inherent horror in potty training.
I strived to represent the experience of being a pediatric healthcare worker during COVID.
"This autoethnographic poetry is born of my personal experience, witness, as well as currently chronicled and ancestral lore."
"A tree once taught me that those moments of ruin are only a pause, a passage really, on the way to something else."