Patricia Leavy is a genuine trailblazer, the real deal, an inspiration.
Leavy’s 2019 novel about a week-long all-inclusive Icelandic research seminar wends its way through meetings, planning sessions, excursions, debates and dinners to the heart of the paradigms and epistemological questions that structure and drive scholarly research.
Leavy is more than the mother of the social fiction movement in the social sciences; she’s its fairy godmother.
Low-Fat Love Stories is the result of arts-based research on romantic, familial, and intrapsychic dissatisfying relationships, written by Patricia Leavy.
As a feminist poet and (auto)ethnographer, I found Leavy's themes of Film Blue speak to what I want my work to do and be.
Christine Sleeter·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Reflections on Method
··23 min readChristine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
MILK, ANTHOLOGIES, HORSES, & JOUISSANCE contained work as a meta-performance of the idea of texts passing through other texts.
U. Melissa Anyiwo·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Reflections on Method
··31 min readThis piece is intended to give you a sense of the ways in which I use Low-Fat Love in the classroom and why just using it makes the world a better place.
Through “Saxions”, I aim to establish appreciation for the value of our recounts and our place in society as rich storytellers.
Laurel Richardson and U. Melissa Anyiwo·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Reflections on Method
··14 min readLaurel Richardson and U. Melissa Anyiwo writes the introduction to this special issue celebrating Dr. Patricia Leavy’s work.
Patricia Leavy·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Reflections on Method
··11 min readWriting fiction allows me to document reality and to reimagine it, just as we can always reimagine ourselves. And that is why we need stories.
I explore the intersection of queer identity and popular culture through the lens of my adolescent crush on rock legend Tina Turner.