Through our collaborative autoethnography, we learned that intentionally spending time with grief is well worth the effort.
”I still aim to engage in the process of life, commit to a meaningful purpose, and structure my life around an intrinsically satisfying activity. For me, I will continue writing as a way to make sense of what it means to be alive.”
J.E. Sumerau·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024Special Issues
··16 min readGratitude is a recurring theme I hear from readers of Patricia Leavy’s social fiction. This is an essay about Patricia Leavy novels.
"This essay on bodily autonomy specifically discusses abortion access and rights in the United States and Canada, and the politics that often follow."
This essay and video introduce an autoethnographic study of my life as a deaf child in Finland learning sign language.
Christine Sleeter·
All ContentAutoethnographic EssaysCelebrating Dr. Patricia Leavy's Social Fiction 2024MoreReflections on MethodSpecial Issues
··23 min readChristine Sleeter writes about Dr. Patricia Leavy's new genre, Sleeter's own books and her reflections on the social fiction series.
In Breaking Free: Reclaiming Authenticity in a Capitalist World, I reveal how I overcame my mental health challenges and reconnected with my true self discovering the benefits of holistic therapies and shamanic healing.
Our editor Ulla-Maija Matikainen is questioning the call of otherness and narrates her discovery about the sameness that she has seen.
This essay is about my experience teaching yoga in a California prison.
MILK, ANTHOLOGIES, HORSES, & JOUISSANCE contained work as a meta-performance of the idea of texts passing through other texts.
Diane Riggins·
All ContentAutoethnographic EssaysAutoethnographic WritingReflections on MethodVolume 1, Issue 2 (2021)
··5 min read"My thesis began to unfold after doing some research on my final topic idea about Tolkien’s world, female characters, female gamers, and the stereotype that females are the love interests or damsels in distress. I chose autoethnography because it allowed me to add that personal angle to the paper because I am a female writer, reader, and gamer."
"Because I was so immersed in both history, bound in good-smelling leather, no less, and in beautiful and evocative little bottles around me as playthings, I guess it needed no further prompting. It was within my blood before I could think about what I wanted to do with my life!"
