There’s also a larger goal underscoring my work. I aim to create a philosophy of the arts and a philosophy of love.
Autoethnographic Writing
Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.
I’d take the past and make it straight, Even though it’s complicated, We’ve got time to start again, I don’t know if you can hear me…
Gratitude is a recurring theme I hear from readers of Patricia Leavy’s social fiction. This is an essay about Patricia Leavy novels.
Patricia Leavy is a genuine trailblazer, the real deal, an inspiration.
The Resistant Analysand: A Memoir Author’s Memo My memoir is about my growing up as the daughter of a Freudian...
This is a humorous narrative nonfiction account of the strangest job I ever had working for a kooky fitness guru in Manhattan for six years.
On Emerging Liberated of the Glass Box Author’s Memo Like many others in the American South, I began my teens...
Leavy’s 2019 novel about a week-long all-inclusive Icelandic research seminar wends its way through meetings, planning sessions, excursions, debates and dinners to the heart of the paradigms and epistemological questions that structure and drive scholarly research.
Leavy is more than the mother of the social fiction movement in the social sciences; she’s its fairy godmother.
Low-Fat Love Stories is the result of arts-based research on romantic, familial, and intrapsychic dissatisfying relationships, written by Patricia Leavy.
As a feminist poet and (auto)ethnographer, I found Leavy's themes of Film Blue speak to what I want my work to do and be.
Atlas Markers: An Emerging Autoethnography Author’s Memo Atlas Markers n is largely a thought-piece on the development of a research...
