submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
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  • Volumes 1-4
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    Photo of man in boat by David Heinemann The Pandemic Nature Project

    The Pandemic Nature Project, Filmed Vignettes of Life During COVID

    Illustration of person looking at a smartphone by CarlosPX on Unsplash

    Autoethnographic Literary Nonfiction: Political Correctness – The Dilemma of The Young

    A Simple Text, A Complex Reckoning: On Sisters and Queers

    • Volume 4
      • Volume 4, Issue 4 (2024)
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    Prosepina abducted by evil by Mateus Campos Felipe for Unsplash

    Cruella de Vil, from ”101 Dalmatians,” in Real Life

    Between Low-Fat Love and A Big Life

    Illustration of Canadian goose by Terry Graff

    Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
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    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    Republic of Gilead Flag by Icewizie for Wikimedia

    Jay and June: A Walk in Gilead

    By Katherine Hanlon for Unsplash

    Social Fiction: How Leavy Pioneers a New Genre

    My Career Part One: Philosophy of The Arts

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    Florencia Rusiñol album cover for Home

    Finding Home Within: Introducing Singer/Songwriter Florencia Rusiñol

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    Multimedia Autoethnography: On ‘Being’ and ‘Knowing’ a Body

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    Multimedia Autoethnography: “Drifting,” an Exploration of Sibling Loss

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    Cover art from Patricia Leavy's Re_Invention created by Paul Gordon

    What Is Social Fiction? Talking Re/Invention with Patricia Leavy

    Celebrating Dr. Patricia Leavy’s Body of Work: An Introduction to This Special Issue

    The Call of Otherness: Love and Poetry

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  • May 16, 2025
  • Trending
    Trending
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    Life in Okinawa Under the American Military

    Photo of Coogee Beach by manny moreno for unsplash.jpg

    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

    What Is Autoethnography? How Can I Learn More?

    Aerial View of City Buildings in Phristina for Pexels by Ferdi Noberda

    Ten Powerful Poems by Albanian Poets and Their Translations

    Storytelling as Academic Writing: How to Embrace Creative Nonfiction

Dilek Isler Hayirli
JoinedJanuary 20, 2022
Articles5
Dilek İşler Hayırlı is as an English Language Instructor at Ankara Yildirim Beyazit University. Her MA thesis in Folklore explored toy and play museums in Turkey and was published in Turkish. In addition to supporting The AutoEthnographer, she is the editorial assistant for the journal Culture Academy. Her research areas are cultural heritage, toy and play museums, autoethnography, village ethnography, monographies and memory. She is currently conducting a village monography project with Aliağa Municipality in İzmir, Turkey. This will be the focus of her autoethnographic PhD dissertation. She is very happy to have been introduced to autoethnography by her supervisor, Prof. Dr. Serpil Aygün Cengiz.

Book Review: Patricia Leavy’s Writing and Publishing Qualitative Research

Dilek Isler Hayirli·
All ContentMoreNews, Interviews & ReviewsVolume 4, Issue 2 (2024)
·June 4, 2024·4 min read
Leavy’s Writing and Publishing Qualitative Research is a comprehensive guide that navigates the intricate landscape of qualitative research from the writing phase to publishing.
Read More

Loss Series 1: Coping with Pet Bereavement and My Forever Love for My Beautiful Cat, ‘Timi’

Dilek Isler Hayirli·
All ContentAutoethnographic Literary NonfictionVolume 4, Issue 2 (2024)
·June 1, 2024·7 min read
Coping with Pet Bereavement: My Forever Love for My Beautiful Cat 'Timi' is definitely not a farewell; it is only a love letter for my beloved cat who got lost on January 15, 2023, days after a magnitude 5.6 earthquake hit southern Türkiye. Like my country, I was also shaken deeply, and like the buildings, my heart almost collapsed.
Read More
Masaaki Komori for Unsplash

Zona, Mon Amour: A Micro-autoethnography of a Rare Disease

Serpil Aygün Cengiz and Dilek Isler Hayirli·
All ContentAutoethnographic Flash NonfictionVolume 3, Issue 2 (2023)
·March 29, 2023·3 min read
Zona. I have always thought that names of diseases sound so beautiful. This is the story of a disease that lives with me.
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evocative autoethnography

What Do Editors Look for When Reviewing Creative Autoethnography?

Marlen Harrison, Odessa Ogo, Shanita Mitchell, Dilek Isler Hayirli, Sandra L. Faulkner, Jessica Smartt Gullion, Jacob Meadows, Nadine Khair and Lina Fe Simoy·
All ContentEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 4 (2022)
·January 12, 2023·7 min read
This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
Read More

What Is Autoethnography? How Can I Learn More?

Marlen Harrison, Sandra L. Faulkner, Jessica Smartt Gullion, Nadine Khair, Lina Fe Simoy, Dilek Isler Hayirli and Ulla-Maija Matikainen·
All ContentEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 4 (2022)
·December 12, 2022·14 min read
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
Read More
Photo-of-Turkish-women-by-Dilek-Hayirli

Emotional Research: Performing Autoethnography at My Late Father’s Village

Dilek Isler Hayirli·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 3 (2022)
·November 6, 2022·13 min read
"I had not been aware that this emotional research was also performing autoethnography, collecting memories from the field"
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opening folklore

Opening Folklore: How Can We Shift Social Sciences Via Autoethnography?

Dilek Isler Hayirli·
All ContentEducationFrom the EditorsInterviewsMoreReflections on MethodVolume 2, Issue 3 (2022)
·September 1, 2022·9 min read
"In Turkey, we must consider opening folklore & the social sciences, but this time more powerfully, staggeringly, and creatively."
Read More
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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
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