In Saying Goodbye: A Father's Last Minute Parting Gift to His Son, I channel the moments I remember from the night before my mother died.
Autoethnographic Writing
Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.
“Four Essays on Being Trans in the Anthropocene” in one of autoethnographic works on my queerness and informed by speculative anthropology.
Nothing prepared me for the xenophobia and homophobia I would encounter in Italy. No one warned me how to avoid becoming their victim
In my short story, “Cubicle,” a student filmmaker discovers loneliness, absurdity, and cruelty in the halls of Corporate America—but also finds his artistic voice.
Odesa addresses the traumas of struggling immigrants, who face rejection and shunning rather than acceptance and understanding.
Catholic Boy Fights the Devil in the Mohawk River Valley is a short story that’s set in upstate New York during World War II. At a time when America was fighting fascist devils abroad, many were struggling with the devil’s influence at home.
This autoethnographic essay offers a musing on the intricate relationship between language, writing and identity through an autoethnographic account of my reading and writing experience from childhood to present, and from China to the UK via Germany.
However, this autoethnographic piece helped me recognize the importance of levity even when the intellectual content is heavy.
I share the complexity of my frustration about a failed site visit to the British Museum and wonder about the meaning of the experience.
J. Sumerau·
All ContentAutoethnographic Flash NonfictionAutoethnographic Literary FictionVolume 3, Issue 4 (2023)
··19 min readThis short story about a night in a shed is an attempt to encourage any reader to think about the stories that circulate within communities.
This work is part of a larger ethnography of scars, one that addresses the intersection medicine, religion, and body politics in (among other places) Nebraska.
“Answering the Call of Conscience in the Call Out Culture” continues my accounting of, and critical reflection on, the ethical and political dimensions of having been falsely accused of sexual assault online.
