The Karen Disorder: Breaking Free from the Chains of Institutional Labels emerges from my research in the field of illness and identity.
Issues
All
- Bodily Autonomy Special Issue, 2022-23
- Celebrating Dr. Patricia Leavy's Social Fiction 2024
- Climate Change Special Issue, 2022
- Laughter Special Issue, 2023
- Queer Special Issue, 2023-24
- Volume 1, Issue 1 (2021)
- Volume 1, Issue 2 (2021)
- Volume 2, Issue 1 (2022)
- Volume 2, Issue 2 (2022)
- Volume 2, Issue 3 (2022)
- Volume 2, Issue 4 (2022)
- Volume 3, Issue 1 (2023)
- Volume 3, Issue 2 (2023)
- Volume 3, Issue 3 (2023)
- Volume 3, Issue 4 (2023)
- Volume 4, Issue 1 (2024)
- Volume 4, Issue 2 (2024)
- Volume 4, Issue 3 (2024)
- Volume 4, Issue 4 (2024)
Military culture includes a rich collection of symbols, beliefs, values, language, dress, behaviors, relationships, and work.
This work illustrates the very personal process of a Chinese-born immigrant to the U.S. and a U.S. born citizen learning about each other's cultures over the course of a 27 year marriage.
This essay describes my experiences of the arts during the Covid-19 when arts and culture organizations had to pivot to virtual offerings.
Commercial genetics has become a cultural phenomenon. In this piece, I use autobiography to document discovering my biological father.
The cultural issues being addressed are how intergenerational knowledge is passed down between women and girls in the kitchen.
Eternal Glow: Black Womanhood’s Story Of Love and Resilience Author’s Memo These three poems are autoethnographic as they utilize personal...
An empowered inner authenticity that supersedes the pressures faced by twenty-first century generations - striving for an unattainable false perfect ‘self’.
My Body Is a Suitcase: An Autoethnographic Exploration of Links between Childhood Sexual Abuse and Eating Disorders Author’s memo In...
Hard Water: An Autoethnography of American Rust is concerned with the spatial formations of capitalism and the psychology of class hegemony.
“blackwomanatwork” came out of my experiences working in academia as a first-generation immigrant black woman from the Caribbean.
It is a reckoning on sisters and queers after themes of family violence, sibling disconnection and queer isolation emerge.
