This essay and video introduce an autoethnographic study of my life as a deaf child in Finland learning sign language.
Issues
All
- Bodily Autonomy Special Issue, 2022-23
- Celebrating Dr. Patricia Leavy's Social Fiction 2024
- Climate Change Special Issue, 2022
- Laughter Special Issue, 2023
- Queer Special Issue, 2023-24
- Volume 1, Issue 1 (2021)
- Volume 1, Issue 2 (2021)
- Volume 2, Issue 1 (2022)
- Volume 2, Issue 2 (2022)
- Volume 2, Issue 3 (2022)
- Volume 2, Issue 4 (2022)
- Volume 3, Issue 1 (2023)
- Volume 3, Issue 2 (2023)
- Volume 3, Issue 3 (2023)
- Volume 3, Issue 4 (2023)
- Volume 4, Issue 1 (2024)
- Volume 4, Issue 2 (2024)
- Volume 4, Issue 3 (2024)
- Volume 4, Issue 4 (2024)
I worry about survival. Bluntly put, according to the Academy of Sciences almost every person on earth will be affected by climate change.
Overall, "Little Red" encompasses queerness, womanhood, and the implications of growing into an identity that isn't cherished by society.
It grew out of my personal experience researching Black history museums; but in reality, it began a lot earlier, maybe before I was born.
I share real world examples of why I believe the trans community uses empathy as a powerful tool to combat transphobia and promote self-love.
This piece situates me in a set of sour in-laws relationships that also involved the legal system and it is in the form of autoethnography.
In Saying Goodbye: A Father's Last Minute Parting Gift to His Son, I channel the moments I remember from the night before my mother died.
This sestina poem reflects and validates my own personal experience as a 14-year-old who was dealing with something I couldn’t initially even name; anxiety.
“Four Essays on Being Trans in the Anthropocene” in one of autoethnographic works on my queerness and informed by speculative anthropology.
Nothing prepared me for the xenophobia and homophobia I would encounter in Italy. No one warned me how to avoid becoming their victim
In my short story, “Cubicle,” a student filmmaker discovers loneliness, absurdity, and cruelty in the halls of Corporate America—but also finds his artistic voice.
Odesa addresses the traumas of struggling immigrants, who face rejection and shunning rather than acceptance and understanding.
