Within the context of this poem, I tried to explain what was happening to my body because of SLE and what I was thinking.
I documented my two-month diet in a food journal and it began as a personal effort to lose weight following a "Barthes diet".
The dynamic taking place in these poems was autoethnography, a hybrid of my investigation of the 1960's coupled with my personal experience.
Jesus and Fentanyl: A Mortician's Perspective is actually thoughts from a funeral director and also an ode to an overdose victim.
This story explores childbirth-related trauma and postpartum mental health through the lens of a ‘good birth.’
In my poetry, I highlight negative depictions of Catholic religion and discuss how they differ from my own experiences as a Catholic.
“Letter from Okinawa” describes my research and observations into the impact the U.S. military has had on the island, and tells the story of the Japanese government’s historical culpability by colonizing, controlling, and discriminating against the island.
This is a piece I wrote in desperation after being confronted with the failures of the foster system in the United States today.
One Man’s Perspective on Grieving and Death is a narrative representation of death as a universal humanistic theme.
The poem driving this experimental film about television considers the insomniacs who wake at the same time each night in rhythm.
This writing is based on storytelling, common in Mexican culture.
My weird depression showed up this summer like “hey sis!” And I was like “fuck my life”! I wasn’t ready. This time, it caught me off guard.
