This poem, entitled "Work Out," is about how I dealt with 2020. It's a writing exercise I didn't realize I needed to do.
The lyrics of "World's Greatest Man" grapple with the paradoxes of participant-observation as well as the ambiguity of development work in Thailand.
MILK, ANTHOLOGIES, HORSES, & JOUISSANCE contained work as a meta-performance of the idea of texts passing through other texts.
In this piece, a queer university student from China reflects on his understandings of sexual and ethnic/national identities as he moves from China to the UK to study.
This essay and video introduce an autoethnographic study of my life as a deaf child in Finland learning sign language.
This work addresses the issue of young women being underserved as health care patients, specifically through the lens of medical gaslighting.
This is from the experience of losing someone who you thought would be a part of your family, only to realize their journey was different.
It grew out of my personal experience researching Black history museums; but in reality, it began a lot earlier, maybe before I was born.
Michael: Tesserae 1 is part of a series written about a two-year community arts fellowship I had with a Baltimore City public middle school and surrounding communities to demonstrate the power of art for community organizing.
Emerging Immigrant’s Accents is about how language impacts our self image as we come to understand ourselves and our cultural beings.
The essay tells the story of the author's attempt to bridge the gap in political beliefs between himself and his uncle.
Missing A Beat examines the journey of two brothers as they attempt to leave behind a past marred by domestic violence but are presented with a choice that threatens the sibling bonds that have been their life raft.
