Through our collaborative autoethnography, we learned that intentionally spending time with grief is well worth the effort.
This essay is about my experience teaching yoga in a California prison.
In this work, I unpack how realizing my queerness has influenced how I write my poetry.
Military culture includes a rich collection of symbols, beliefs, values, language, dress, behaviors, relationships, and work.
In Breaking Free: Reclaiming Authenticity in a Capitalist World, I reveal how I overcame my mental health challenges and reconnected with my true self discovering the benefits of holistic therapies and shamanic healing.
“blackwomanatwork” came out of my experiences working in academia as a first-generation immigrant black woman from the Caribbean.
An empowered inner authenticity that supersedes the pressures faced by twenty-first century generations - striving for an unattainable false perfect ‘self’.
We address how to fragment and unite in this autoethnographic study, which we developed over the Messenger App. It utilises poetry and collage around death, loneliness, postmodern culture, and the latter’s related oppressive discourses and language, and alienation.
It is a reckoning on sisters and queers after themes of family violence, sibling disconnection and queer isolation emerge.
This autoethnography about same-sex love poses spiritual debate on the processes of grieving and interment.
The cultural issues being addressed are how intergenerational knowledge is passed down between women and girls in the kitchen.
Hard Water: An Autoethnography of American Rust is concerned with the spatial formations of capitalism and the psychology of class hegemony.
