“blackwomanatwork” came out of my experiences working in academia as a first-generation immigrant black woman from the Caribbean.
I use poetry to describe living with ME/CFS, an illness that is chronic and invisible, thus bringing awareness to this little known diagnosis.
It is a reckoning on sisters and queers after themes of family violence, sibling disconnection and queer isolation emerge.
In Breaking Free: Reclaiming Authenticity in a Capitalist World, I reveal how I overcame my mental health challenges and reconnected with my true self discovering the benefits of holistic therapies and shamanic healing.
This essay is about my experience teaching yoga in a California prison.
Military culture includes a rich collection of symbols, beliefs, values, language, dress, behaviors, relationships, and work.
Eternal Glow: Black Womanhood’s Story Of Love and Resilience Author’s Memo These three poems are autoethnographic as they utilize personal...
Through our collaborative autoethnography, we learned that intentionally spending time with grief is well worth the effort.
Hard Water: An Autoethnography of American Rust is concerned with the spatial formations of capitalism and the psychology of class hegemony.
We address how to fragment and unite in this autoethnographic study, which we developed over the Messenger App. It utilises poetry and collage around death, loneliness, postmodern culture, and the latter’s related oppressive discourses and language, and alienation.
My Body Is a Suitcase: An Autoethnographic Exploration of Links between Childhood Sexual Abuse and Eating Disorders Author’s memo In...
In this work, I unpack how realizing my queerness has influenced how I write my poetry.
