Poems As a Form of Powerful Activism and Barrier-breakers is a compilation of three poems which mean a lot for me.
Jesus and Fentanyl: A Mortician's Perspective is actually thoughts from a funeral director and also an ode to an overdose victim.
This is a conversation with Patricia Leavy about writing fiction during the pandemic and her new novel, The Location Shoot.
In this essay, the current reality of queerness is juxtaposed against milestones in my own life as a queer man in America.
In my poetry, I highlight negative depictions of Catholic religion and discuss how they differ from my own experiences as a Catholic.
What is my responsibility as a trans feminine person when the human-induced strain on the planet is the driver of the climate crisis?
The poem driving this experimental film about television considers the insomniacs who wake at the same time each night in rhythm.
In this story I shifted my attention to the young woman –a nurse or a volunteer– who sat beside me and held my hand throughout abortion.
One Man’s Perspective on Grieving and Death is a narrative representation of death as a universal humanistic theme.
This artwork is based on a startling and memorable encounter at the local vet while attempting to get Anaïs spayed.
My weird depression showed up this summer like “hey sis!” And I was like “fuck my life”! I wasn’t ready. This time, it caught me off guard.
The dynamic taking place in these poems was autoethnography, a hybrid of my investigation of the 1960's coupled with my personal experience.
