"The AutoEthnographer is committed to diversity, equity, & inclusion in its administration; support of emerging authors and artists; & celebration of creative expression as a vehicle for shared understanding & positive change."
In The AutoEthnographer’s latest podcast, Marlen Harrison talks with Sandra Faulkner about collage and visual poetry.
The dynamic taking place in these poems was autoethnography, a hybrid of my investigation of the 1960's coupled with my personal experience.
This particular piece, "What is Human, Remains" looks back at my first year as a teacher, and the unexpected activism in my students.
In this essay, the current reality of queerness is juxtaposed against milestones in my own life as a queer man in America.
This work is part of a larger ethnography of scars, one that addresses the intersection medicine, religion, and body politics in (among other places) Nebraska.
"Combining autoethnography and artwork, Supreme Justice aims to reveal the persistence of institutionalized oppression of women through history."
"I wrote Asha’s story to give voice to all the women in rural Bangladesh who cannot speak out against their abusers or society."
The poem driving this experimental film about television considers the insomniacs who wake at the same time each night in rhythm.
Daze Jefferies·
All ContentAutoethnographic Art & MultimediaAutoethnographic PoetryClimate Change Special Issue, 2022
··3 min read"This autoethnographic poem resembles a wave: coming, going, history, hereafter...an endless exchange."
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
"This is an autoethnographic narrative where I use my own marriage to tell a story about love, bodily autonomy, acceptance and illness."