submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    Volumes 1-4
    By Jason Hutchison for Unsplash

    New Palace Bakery and Other Fuzzy Memories of Detroit

    Photo of hand emerging from water with sparkler by Kristopher Roller on Unsplash

    The Birth of an Idea: Why I Started The AutoEthnographer

    Cover art from Patricia Leavy's Re_Invention created by Paul Gordon

    What Is Social Fiction? Talking Re/Invention with Patricia Leavy

    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    Special Issues
    Shanita Mitchell as Wicked's elphaba 2 cosplay for The Twerking Academic The AutoEthnographer

    The Twerking Academic: What Happens When A Witch Is Black & Beautiful?

    colorful sunset by kienvirak

    Autoethnographic Literary Fiction: “Cold Snap,” a Climate Catastrophe Story

    My Career Part One: Philosophy of The Arts

    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

    Photo of Concrete silos in Concrete Washington by SkagitRiverQueen for Wikipedia

    What Does Homesickness Look Like? Concrete, Fish, & Staying the Same

    Photo-of-Bangladeshi-bride-by-Kbanik79-for-Pixabay

    The Challenges of Being a Woman in Bangladesh: Meena’s Story

    Depression-woman-sat-on-dock-by-Johnny-Gunn-for-Pixabay

    Visitation, an Autoethnodrama in One Act

    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    Media

    Audio, visual, and multimodal expressions of autoethnography.

    Photo of woman at window by Shanita Mitchell

    Performance and Autoethnography: Award-winning Artist Offers Exclusive Insight

    The Ultimate Wave: Prose Poetry of the Pandemic and Parents

    Photo of seated woman 2 shanita mitchell the twerking academic

    “Double Consciousness as a Black American”: New Video from The Twerking Academic

    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    More

    The Call of Otherness: Love and Poetry

    Book Review: Patricia Leavy’s Writing and Publishing Qualitative Research

    Sandra Faulkner Bringing Up Baby

    Collage and Erasure Poems: “Bringing Up Baby”

    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method
  • May 24, 2025
  • Trending
    Trending
    NowWeekMonth

    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

    Alisha Hieb for unsplash

    Recipes of Life: How Kitchens Preserve Intergenerational Narratives

    Photo of Coogee Beach by manny moreno for unsplash.jpg

    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

    Aerial View of City Buildings in Phristina for Pexels by Ferdi Noberda

    Ten Powerful Poems by Albanian Poets and Their Translations

habitat destruction

Latest
  • Latest
  • Oldest
  • Random
  • A to Z
Illustration of Canadian goose by Terry Graff

Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

Terry Graff·
All ContentAutoethnographic Art & MultimediaAutoethnographic EssaysClimate Change Special Issue, 2022Special Issues
·March 31, 2022·13 min read
"In retrospect, it was inevitable that birds and machines would converge in my work as a life-long exploration and expression of the relationship between nature and technology through the creation of avian cyborgs, the genesis of which can be traced back to my early drawings of robots and of the bygone birds of my childhood."
Read More

Zeen Trending Article

What Is Autoethnography? How Can I Learn More?

  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Linkedin
  • Search
  • What Is The AutoEthnographer Magazine?
  • Meet Our Team of International Editors & Interns
  • Podcasts
  • Autoethnographic Writing
  • Autoethnographic Poetry
  • Autoethnographic Art & Multimedia
  • From the Editors
  • Interviews
  • News, Interviews & Reviews
  • Reflections on Method
  • Education
  • Opt-out preferences
© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
    • About the Magazine
    • Our Team
    • Diversity, Equity, and Inclusion (DEI) Statement
    • Privacy Policy
    • Opt-out preferences
  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
      • Volume 4, Issue 3 (2024)
      • Volume 4, Issue 2 (2024)
      • Volume 4, Issue 1 (2024)
    • Volume 3
      • Volume 3, Issue 4 (2023)
      • Volume 3, Issue 3 (2023)
      • Volume 3, Issue 2 (2023)
      • Volume 3, Issue 1 (2023)
    • Volume 2
      • Volume 2, Issue 4 (2022)
      • Volume 2, Issue 3 (2022)
      • Volume 2, Issue 2 (2022)
      • Volume 2, Issue 1 (2022)
    • Volume 1
      • Volume 1, Issue 2 (2021)
      • Volume 1, Issue 1 (2021)
  • Special Issues
    • Climate Change Special Issue, 2022
    • Bodily Autonomy Special Issue, 2022-23
    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
  • Writing
    • All Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
    • Autoethnographic Poetry
  • Media
    • Autoethnographic Art & Multimedia
    • Podcasts
  • More
    • Educational Materials
    • Book Reviews
    • News, Interviews & Reviews
    • Reflections on Method

Categories

  • All Content
  • Autoethnographic Art & Multimedia
  • Autoethnographic Poetry
  • Autoethnographic Writing
    • Autoethnodrama
    • Autoethnographic Essays
    • Autoethnographic Flash Nonfiction
    • Autoethnographic Literary Fiction
    • Autoethnographic Literary Nonfiction
  • Education
  • From the Editors
  • Issues
    • Bodily Autonomy Special Issue, 2022-23
    • Celebrating Dr. Patricia Leavy's Social Fiction 2024
    • Climate Change Special Issue, 2022
    • Laughter Special Issue, 2023
    • Queer Special Issue, 2023-24
    • Volume 1, Issue 1 (2021)
    • Volume 1, Issue 2 (2021)
    • Volume 2, Issue 1 (2022)
    • Volume 2, Issue 2 (2022)
    • Volume 2, Issue 3 (2022)
    • Volume 2, Issue 4 (2022)
    • Volume 3, Issue 1 (2023)
    • Volume 3, Issue 2 (2023)
    • Volume 3, Issue 3 (2023)
    • Volume 3, Issue 4 (2023)
    • Volume 4, Issue 1 (2024)
    • Volume 4, Issue 2 (2024)
    • Volume 4, Issue 3 (2024)
    • Volume 4, Issue 4 (2024)
  • More
  • News, Interviews & Reviews
    • Interviews
  • Podcasts
  • Reflections on Method
  • Special Issues
  • Uncategorized
  • Work with Us!
Start typing to see results or hit ESC to close
autoethnographer autoethnography identity poetry family
See all results

SUBSCRIBE!

Go to Appearance > Customize > Subscribe Pop-up to set this up.