Today we're talking with the award-winning author, researcher, and performer, Shanita Mitchell about performance and autoethnography.
This is a song for the Passover prophet as a critique on his inability during the Covid-19 pandemic to appear and provide solace and safety.
The Ultimate Wave: Prose Poetry of the Pandemic and Parents Author’s Memo “The Wave” examines the problem of pleasure and...
In today's new podcast & video Marlen Harrison talks with current marketing interns about the role of culture in using Google Ads.
This piece explores the ways in which identity and esteem are interwoven into the topic of Black hair.
How do creatives find joy in artistic performance as a form of black feminist autoethnography? Podcast & video.
This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
"I danced each morning with Pina Bausch. I became her pupil lifting my leg up in the air like a flamingo except feeling more awake than I’ve ever been."
"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
“Woken Word” was born as my inner voice was awakening and the world, ironically was becoming “woke” while simultaneously retreating into isolation.
What is autoethnography? The AutoEthnographer's international team of editors offer definitions & suggested readings.
"It is my hope that these words will serve as the beginning of an ongoing dialogue about what it means to live autoethnography."
