"The Christening Gown' is an autoethnographic exploration of the significance of a family heirloom for an Irish Catholic family in the USA."
"This autoethnographic story is about mental illness, specifically bi-polar disorder."
This video explores how editors have developed their approach to reviewing creative autoethnography and highlights strategies for contributors.
"At friends’ homes and the inexpensive trattorias where I usually ate, there was always wine and water on the table, but often only one glass."
In The AutoEthnographer’s latest podcast, Marlen Harrison talks with Sandra Faulkner about collage and visual poetry.
"I’m Pinkie, the brash I don’t give a fuck alter ego of Renata Ferdinand. I am emerging from the shadows, and blissfully, with my own column."
"I danced each morning with Pina Bausch. I became her pupil lifting my leg up in the air like a flamingo except feeling more awake than I’ve ever been."
"Not Forgotten: Another Glimpse into the Funeral Industry" is a new work of flash nonfiction from our columnist Hollace Sheppard.
"Give Me a Strawberry Cockroach" is the first article in our 2023 special issue on laughter and tells a story of Japanese language learning and performance.
What Is The AutoEthnographer Magazine? The AutoEthnographer’s Mission The AutoEthnographer is an award-winning, non-profit, open-access, peer-reviewed literary and arts magazine....
"While living in Ecuador, I wrote “Home” which essentially is an homage to the “third-culture kid” phenomenon, when your parents are from another country than the one you grew up in."
“Woken Word” was born as my inner voice was awakening and the world, ironically was becoming “woke” while simultaneously retreating into isolation.
