This piece, Hot Pink Truth Serum of My Trauma, is an autoethnography that speaks to the cultures and communities of survivors of childhood sexual abuse and violence.
This piece is a creative reflection which emerged out of the auto-ethnographic reflections from my PhD around research extraction.
Can a colorless person have any sense of what it feels like to be prejudged against, before “the you - inside yourself” opens your eyes in the morning?
I’ll take you back through my journey and then reveal how I overcame my mental health challenges and reconnected with my true self.
In my work , the issues of depression, anxiety, and bulimia nervosa are discussed heavily.
Madison, Wisconsin is full of surprises, sometimes entertaining, always enlightening. But I didn’t plan for an abortion protest during a family weekend.
I write out of the consciousness that I am both a product of the violence of war and a migratory being—not only in the strictest sense of physical displacement, but also in belonging.
You’re Still Here: Art and Grief in Autoethnographic Textiles Artist’s Memo You’re Still Here: Art and Grief in Autoethnographic Textiles...
As I discuss my first queer event, a book discussion about a queer young adult book, Canto Contigo, I will explore my anxieties about my sexual identity, and the repercussions of this community warfare.
This article is a prequel to ongoing research into DIY Healing Within Ancestral Lands. A project born of growing up in a family system that was not kind, welcoming or loving.
Written by a white, cisgender, male yoga practitioner and newly qualified teacher from a working-class, Northern English background, this account seeks to elucidate upon how the issues noted may manifest.
I wrote “The Crevasse: A Love Letter” to help me grapple with confusing changes to the terrain of my life.