In Part One, I situated my work within the context of the work of writers. Now, I’m situating my work within the context of women writers.
This autoethnographic narrative describes the growth and development I experienced once I found mentors who, despite my lack of “natural musical abilities” or “talent,” believed I could learn.
There’s also a larger goal underscoring my work. I aim to create a philosophy of the arts and a philosophy of love.
I’d take the past and make it straight, Even though it’s complicated, We’ve got time to start again, I don’t know if you can hear me…
Gratitude is a recurring theme I hear from readers of Patricia Leavy’s social fiction. This is an essay about Patricia Leavy novels.
Patricia Leavy is a genuine trailblazer, the real deal, an inspiration.
The Resistant Analysand: A Memoir Author’s Memo My memoir is about my growing up as the daughter of a Freudian...
When Whistles Melt into Beeps: Four Poems for AutoEthnographer Author’s Memo I approach poetry as a vessel to preserve the...
This is a humorous narrative nonfiction account of the strangest job I ever had working for a kooky fitness guru in Manhattan for six years.
This film explores foreign EFL teacher identity construct dialectics in contemporary China, qualified by China/West geo-political tensions.
On Emerging Liberated of the Glass Box Author’s Memo Like many others in the American South, I began my teens...
Leavy’s 2019 novel about a week-long all-inclusive Icelandic research seminar wends its way through meetings, planning sessions, excursions, debates and dinners to the heart of the paradigms and epistemological questions that structure and drive scholarly research.
