This piece situates me in a set of sour in-laws relationships that also involved the legal system and it is in the form of autoethnography.
In Saying Goodbye: A Father's Last Minute Parting Gift to His Son, I channel the moments I remember from the night before my mother died.
This sestina poem reflects and validates my own personal experience as a 14-year-old who was dealing with something I couldn’t initially even name; anxiety.
“Four Essays on Being Trans in the Anthropocene” in one of autoethnographic works on my queerness and informed by speculative anthropology.
In my short story, “Cubicle,” a student filmmaker discovers loneliness, absurdity, and cruelty in the halls of Corporate America—but also finds his artistic voice.
Odesa addresses the traumas of struggling immigrants, who face rejection and shunning rather than acceptance and understanding.
Humor acts as a defense mechanism, a pressure release valve, a teaching tool. As a heart surgeon, I have used laughter for all these reasons.
Catholic Boy Fights the Devil in the Mohawk River Valley is a short story that’s set in upstate New York during World War II. At a time when America was fighting fascist devils abroad, many were struggling with the devil’s influence at home.
The otherness is not somewhere out there. It’s in me. Still, my search did not stop to this discovery. It took me profoundly even further. It took me to love and poetry.
This autoethnographic essay offers a musing on the intricate relationship between language, writing and identity through an autoethnographic account of my reading and writing experience from childhood to present, and from China to the UK via Germany.
However, this autoethnographic piece helped me recognize the importance of levity even when the intellectual content is heavy.
I share the complexity of my frustration about a failed site visit to the British Museum and wonder about the meaning of the experience.
