submissionsEST. 2021, A 501(C)(3), ISSN 2833-1400
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    Photo of UK flag Combating Coronavirus by groovelanddesigns

    Autoethnographic Literary Fiction: “Just One More Time…”, a Family’s Experience of COVID Social Distancing

    Illustration of Canadian goose by Terry Graff

    Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

    Photo by Jas Min on Unsplash

    The Unbearable Heaviness Of Being Zero Waste

    • Volume 4
      • Volume 4, Issue 4 (2024)
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    My Career Part Two: A Philosophy of Love

    Image of a Cupid foto for Pexel by Mahmut

    Love Songs to Pig-Cupid: A Collection of Poems on Bodily Autonomy

    by Caleb Woods for unsplash

    Camping and Building Powerful Connections at Bull Trout Lake

    • Climate Change Special Issue, 2022
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    • Laughter Special Issue, 2023
    • Queer Special Issue 2023-24
    • Celebrating Dr. Patricia Leavy’s Social Fiction 2024
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    Writing

    Whether short-form or long-form, personal memoir or speculative fiction, The AutoEthnographer seeks to publish your evocative expressions of the cultural made personal.

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    What Does Homesickness Look Like? Concrete, Fish, & Staying the Same

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    The Challenges of Being a Woman in Bangladesh: Meena’s Story

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    Visitation, an Autoethnodrama in One Act

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    Collage Image by Lee Campbell

    SEE ME, Windows to the Self of the Performer-Autoethnographer

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    The Twerking Academic: What Happens When A Witch Is Black & Beautiful?

    The Ultimate Wave: Prose Poetry of the Pandemic and Parents

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    Cover art from Patricia Leavy's Re_Invention created by Paul Gordon

    What Is Social Fiction? Talking Re/Invention with Patricia Leavy

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    The Call of Otherness: Love and Poetry

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    What Is Autoethnography? How Can I Learn More?

    Life in Okinawa Under the American Military

    Alisha Hieb for unsplash

    Recipes of Life: How Kitchens Preserve Intergenerational Narratives

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    Autoethnographic Essay: The Unbearable Triteness of Being (Middle Class)

    Aerial View of City Buildings in Phristina for Pexels by Ferdi Noberda

    Ten Powerful Poems by Albanian Poets and Their Translations

Autoethnographic Art & Multimedia

Audio, visual, and multimodal expressions of autoethnography.

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Photo of man sitting in front of projected illustration of dying woman

Multimedia Autoethnography: “Drifting,” an Exploration of Sibling Loss

William Doan·
All ContentAutoethnographic Art & MultimediaAutoethnographic WritingVolume 1, Issue 1 (2021)
·August 5, 2021·7 min read
"I'm not exactly sure when I decided to make a performance piece about my sister's traumatic brain injury and death. In fact, I'm not sure there ever was a single moment of decision. Her story had become public in many ways, from online care sites to prayer chains to social media posts from family and friends. Her story was being performed out in the world before I started telling it."
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Photo of woman dancing by The Atlanta Dance Photographer3

Autoethnographic Poetry: Embodying Bipolarism in Mania Variations II

Amanda Sieradzki·
All ContentAutoethnographic Art & MultimediaAutoethnographic PoetryVolume 1, Issue 2 (2021)
·October 17, 2021·9 min read
"I called out the demons one by one. I named them. I gave them precise blocking and ultimately, I controlled where they stood, breathed, and bourréed. I gave them an entrance, and a stage, and then I sent them away."
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Featured photo of woman in sari and jewels from Nandini Manjunath

Multimedia Autoethnography: On ‘Being’ and ‘Knowing’ a Body

Nandini Manjunath·
All ContentAutoethnographic Art & MultimediaVolume 1, Issue 2 (2021)
·October 23, 2021·3 min read
”I share this artistic piece as an invitation to problematise and think further about not only the Autoethnographic “I/We” in what I/we can know about ourselves and our bodies but also to make space for the incoherence that becomes a part of “being” and “knowing” in explorations of fragmentation and loss.”
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Photo of a face within a face by Shanita Mitchell for The AutoEthnographer

Black Feminist Grit: “A Seat at the Table” with The Twerking Academic

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 1, Issue 1 (2021)
·November 7, 2021·3 min read
“A Seat at the Table” is the autoethnographic manifestation of my vulnerability, anger, and anguish, of my black feminist grit."
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Photo of black woman in red dress by Shanita Mitchell for The AutoEthnographer

The Twerking Academic: Bodily Autonomy & “My Stuff”, a Multimedia Performance

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 1, Issue 2 (2021)
·November 13, 2021·3 min read
"Then comes that special brand of rage and dejection that the patriarchy inspires by attempting to steal away with my bodily autonomy."
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Image of hot air balloon by Pexels for Pixabay

Technicolor Third Space: Why Did We Develop the AutoEthnographer?

Marlen Harrison·
All ContentAutoethnographic Art & MultimediaEducationFrom the EditorsMoreReflections on MethodVolume 2, Issue 1 (2022)
·December 31, 2021·5 min read
"In this brief, animated autoethnography, I utilize the concept of a sociocultural third space to consider why evocative autoethnography can benefit from its own literary and arts journal."
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Strong Black Woman by Shanita Mitchell for The Autoethnographer

The Twerking Academic: “Strong Black Woman”, a Multimedia Autoethnography

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 2, Issue 1 (2022)
·February 10, 2022·3 min read
"At what age does a Black woman learn that it is her job to be strong?"
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Sunrise in Quartzsite__watercolor painting of mountains by Vivian Wagner-1

Autoethnographic Poetry & Art: Traveling Through the Apocalypse

Vivian Wagner·
All ContentAutoethnographic Art & MultimediaAutoethnographic PoetryClimate Change Special Issue, 2022Special Issues
·February 22, 2022·8 min read
“We noticed signs of climate change and felt a sense of impending doom, even as we witnessed how human beings across the continent are trying to keep alive a sense of culture, art, and kindness.”
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Illustration of Canadian goose by Terry Graff

Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 1 – Drawings

Terry Graff·
All ContentAutoethnographic Art & MultimediaAutoethnographic EssaysClimate Change Special Issue, 2022Special Issues
·March 31, 2022·13 min read
"In retrospect, it was inevitable that birds and machines would converge in my work as a life-long exploration and expression of the relationship between nature and technology through the creation of avian cyborgs, the genesis of which can be traced back to my early drawings of robots and of the bygone birds of my childhood."
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Photo of three women by Shanita Mitchell for the Autoethnographer

The Twerking Academic: “Four Women,” a Multimedia Autoethnography

Shanita Mitchell·
All ContentAutoethnographic Art & MultimediaVolume 2, Issue 2 (2022)
·April 22, 2022·3 min read
I pay homage to Nina Simone’s already iconic and thorough exploration of stereotypes by setting the project to the song “Four Women.”
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QUACK-IN-THE-BOX-1974-mixed-media-assemblage-by-Terry-Graff

Autoethnographic Art and Essay: Ode to Bygone Birds of Childhood, Part 2 – Automatons and Mutants

Terry Graff·
All ContentAutoethnographic Art & MultimediaAutoethnographic EssaysAutoethnographic WritingClimate Change Special Issue, 2022Special Issues
·May 16, 2022·15 min read
"As the world’s bird populations decline precipitously, will the many winged creatures we knew as children live only in the mists of memory?"
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Collage Image by Lee Campbell

SEE ME, Windows to the Self of the Performer-Autoethnographer

Lee Campbell·
All ContentAutoethnographic Art & MultimediaMoreReflections on MethodVolume 2, Issue 3 (2022)
·July 14, 2022·21 min read
"'SEE ME, Windows to the Self of the Performer-Autoethnographer' explores the question, 'What can I learn about myself by making artwork as autoethnography'?
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© 2025 The AutoEthnographer, a registered 501(c)(3), ISSN 2833-1400
  • WELCOME
    • What Is Autoethnography?
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  • Volumes 1-4
    • Volume 4
      • Volume 4, Issue 4 (2024)
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